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" As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him... "
細說莎士比亞論文集: a collection of essays - Page 76
by 彭鏡禧 - 2004 - 470 pages
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Shakespeare, Memory and Performance

Peter Holland - Literary Criticism - 2006 - 357 pages
...nineteenthcentury commentators and rapidly becomes the single most anthologised speech of the whole play:33 YORK. As in a theatre, the eyes of men, After a well-graced...or with much more contempt, men's eyes Did scowl on Richard. No man cried 'God save him!' No joyful tongue gave him his welcome home; But dust was thrown...
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Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ...

Robert A. Logan - Literary Criticism - 2007 - 251 pages
...his audience can be gauged by the following psychological reflection voiced by York in Richard II: As in a theatre the eyes of men, After a well-graced...contempt, men's eyes Did scowl on gentle Richard. (Richard II, V, ii, 23-28) That Marlowe was similarly engaged with successful dramaturgy is clear from,...
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