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" O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's... "
THE DRAMATIC WORKS OF WILLIAM SHAKESPEARE; ILLISTRATED: EMBRACING A LIFE OF ... - Page 306
1851
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Shakespeare the Playwright: A Companion to the Complete Tragedies, Histories ...

Victor L. Cahn - Drama - 1996 - 865 pages
...need for a play? The explanation lies in the soliloquy that follows the instructions to the players: O, what a rogue and peasant slave am I! Is it not...soul so to his own conceit That from her working all the visage wann'd Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function...
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Shakespeare's Theory of Drama

Pauline Kiernan - Drama - 1998 - 218 pages
...HAMLET 'Is it not monstrous', Hamlet asks, that it is the fictitiousness of drama which compels belief? O what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect,...
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Hamlet

William Shakespeare, Russell Jackson - Performing Arts - 1996 - 208 pages
...the room. HAMLET (continuing) O, what a rogue and peasant slave am I! Is it not monstrous that tins player here, But in a fiction, in a dream of passion,...conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms...
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Shakespeare Among the Moderns

Richard Halpern - Literary Criticism - 1997 - 294 pages
...player recites a speech about the death of Priam, prompting one of Hamlet's notorious soliloquies: O, what a rogue and peasant slave am I! Is it not...soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function...
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Moses Mendelssohn: Philosophical Writings

Mendelssohn Moses, Moses Mendelssohn - Philosophy - 1997 - 321 pages
...that Shakespeare is able to draw from these common circumstances - the Prince speaks with himself: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect,...
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Dionysiac Poetics and Euripides' Bacchae

Charles Segal - Literary Criticism - 1997 - 420 pages
...ii ""•• / • •*• <• •••• / •••• Metatragedy: Art, Illusion, Imitation Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting,...
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Footnotes: Six Choreographers Inscribe the Page

Elena Alexander, Douglas Dunn, Marjorie Gamso, Ishmael Houston-Jones, Kenneth King, Yvonne Meier, Sarah Skaggs - Performing Arts - 1998 - 169 pages
...through this routine, and I am now thinking . . . No, I will let you in on what Hamlet is thinking: Is it not monstrous that this player here, But in...conceit That from her working all his visage wanned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms...
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Shakespeare and the Literary Tradition

Stephen Orgel, Sean Keilen - Literary Criticism - 1999 - 344 pages
...been so eager for a passionate speech is yet surprised when it comes and when it seizes the player: O, what a rogue and peasant slave am I! Is it not...conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms...
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Hamlet

William Shakespeare - Drama - 1999 - 296 pages
...welcome to FJsinore. ROSENCRANTZ Good my lord. 500 Exeunt Rosencrantz and Guildenstern HAMLET Ay so, God bye to you. Now I am alone. O what a rogue and peasant...passion, Could force his soul so to his own conceit 505 That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken...
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Crying: The Natural and Cultural History of Tears

Tom Lutz - Psychology - 2001 - 352 pages
...dramatic art and the riddle of human empathy as well, in one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous...soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function...
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