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" O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's... "
THE DRAMATIC WORKS OF WILLIAM SHAKESPEARE; ILLISTRATED: EMBRACING A LIFE OF ... - Page 306
1851
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The Plays of Shakespeare with the Poems, Volume 3

William Shakespeare - 1860
...Elsinore. Ros. Good my lord ! HAM. Ay, so, God be wi' you ! — [Ertunt ROSENCBANTZ and GUILDENBTEHN. A wann'd :^ Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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The Plays of Shakespeare, Volume 3

William Shakespeare - 1860
...Elsinore. Eos. Good my lord ! HAM. Ay, so, God be wi' you ! — [Exeunt ROSENCHANTZ and GUILDENSTF.BN. . I wann'd :f Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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The Plays of Shakespeare, Volume 3

William Shakespeare - 1860 - 40 pages
...[Exeunt KOSENCKANTZ and GUH.DENSTF.HN. Now I am alone. O, what a rogue and peasant slave am I ! 1ч LEAR. Nothing : I have sworn ; I am firm. BUR. I am sorry, then, you have so lost wann'd :f Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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Choice thoughts from Shakspere, by the author of 'The book of familiar ...

William Shakespeare - 1861
...nor woman neither ; though, by your smiling, you seem to say so. Hamlet's Reflections on the Player. O, what a rogue and peasant slave am I ! Is it not...fiction, in a dream of passion, Could force his soul thus to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction...
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Shakespeare the Actor and the Purposes of Playing

Meredith Anne Skura - Drama - 1993 - 325 pages
...legitimate. Hamlet, even while being affected by the performance, condemns the player's perverse achievement: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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Selected Poems

William Shakespeare - Poetry - 1995 - 128 pages
...own self be true, And it must follow as the night the day Thou canst not then be false to any man. 19 O, what a rogue and peasant slave am I! Is it not...conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms...
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Shakespeare's World of Death: The Early Tragedies

Richard Courtney - Drama - 1995 - 268 pages
...and the tragedy is back on course. "Now I am alone," says Hamlet. It is a long time since he was so. O, what a rogue and peasant slave am I! Is it not...conceit That from her working all his visage wanned ... (546-551) "This player here": Burbage gestures to where he has performed. He re-plays it for us:...
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An Intellectual History of Psychology

Daniel N. Robinson - Psychology - 1995 - 392 pages
...of the jaw, Darwin finds support from a judge possessing "wonderful knowledge of the human mind." 7 Is it not monstrous that this player here, But in...own conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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Reading Shakespeare on Stage

Herbert R. Coursen - Drama - 1995 - 298 pages
...conscious and unconscious mind. (19) Mazer quotes Hamlet's response to the Player's Hecuba Speech: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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Shakespeare Studies, Volume 23

J. Leeds Barroll - Literary Criticism - 1995 - 294 pages
...another masquerading "nothing": O what a rogue and peasant slave am I! Is it not monstrous that the player here, But in a fiction, in a dream of passion,...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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