Sallies of the Mind
Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Foreword -- Acknowledgments -- Introduction -- Part: I -- 1. T.S. Eliot and His Impersonal Theory of Art -- 2. Humanism -- 3. Maritain's Creative Intuition -- Part: II -- 4. Two Perspectives on European Literature -- 5. Two Acts from Dante's Drama of the Mind -- 6. The Divine Comedy as a Bridge across Time -- Part: III -- 7. Prince of Denmark: The Analogy of Action -- 8. Human Government: Purgatorio 16 and Measure for Measure -- 9. Belief and Make-Believe: Poetry as Evidence of Things Not Seen -- Part: IV -- 10. Eugene O'Neill -- 11. Exiles and Ibsen's Work -- 12. T.S. Eliot's Poetry and Drama -- 13. On the Edge of Broadway -- 14. The Theater of Paul Valéry -- 15. Oedipus According to Freud, Sophocles, and Cocteau -- Part: V -- 16. D.H. Lawrence's Sensibility -- 17. The Drama in The Golden Bowl -- 18. Three Novels -- Part: VI -- 19. "Myth" and the Literary Scruple -- 20. The Notion of "Action"--Index
1 Online-Ressource (268 Seiten)
9781351291385, 9781138514355, 1351291386, 1138514357
1039090839
I. 1. T. S. Eliot and His Impersonal Theory of Art (1927) 2. Humanism (1930) 3. Maritain’s Creative Intuition (1963) II 4. Two Perspectives on European Literature (1954) 5. Two Acts from Dante’s Drama of the Mind (1951) 6. The Divine Comedy as a Bridge across Time (1965) III 7. Prince of Denmark: The Analogy of Action (1940) 8. Human Government: Purgatorio 16 and Measure for Measure (1951) 9. Belief and Make-Believe: Poetry as Evidence of Things Not Seen (1973) IV 10. Eugene O’Neill (1930) 11. Exiles and Ibsen’s Work (1932) 12. T. S. Eliot’s Poetry and Drama (1952) 13. On the Edge of Broadway (1954) 14. The Theater of Paul Valéry (1960) 15. Oedipus According to Freud, Sophocles, and Cocteau (1975) V 16. D. H. Lawrence’s Sensibility (1933) 17. The Drama in The Golden Bowl (1934) 18. Three Novels (1954) VI 19. “Myth” and the Literary Scruple (1956) 20. The Notion of “Action” (1964)