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" By the sweet power of music: therefore the poet Did feign that Orpheus drew trees, stones and floods; Since nought so stockish, hard and full of rage, But music for the time doth change his nature. "
The plays of William Shakspeare, with the corrections and illustr. of ... - Page 419
by William Shakespeare - 1805
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Merchant of Venice

William Shakespeare - 1843 - 77 pages
...perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze, By the sweet power of music: therefore, the poet Did feign that Orpheus drew trees...Since nought so stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is notmov'd with...
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Midsummer-night's dream. Love's labor's lost. Merchant of Venice. As y@u ...

William Shakespeare - 1844
...perceive them make a mutual stand, Their savage eyes turned to a modest gaze, By the sweet power of music. Therefore, the poet Did feign that Orpheus drew trees,...Since nought so stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved...
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Cyclopędia of English Literature, Volume 1

Robert Chambers - English literature - 1844
...them make a mutual stand ; Their savage eyes ttirn'd tu a modest gaze, By the sweet power of music. _~ = _< $:쉽 Zk K{ } a < ꤙ ^zjŐ o7, ˛ ;... } s u { ? }䓏 W x S }p̌>g 9O, ܤ n music for the time doth change his nature. The man that hath not music in himself, Nor is not mov'd...
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Imagination and Fancy: Or, Selections from the English Poets, Illustrative ...

Leigh Hunt - English poetry - 1845 - 345 pages
...of musick touch their ears, You shall perceive them make a mutual stand— Their savage eyes turned to a modest gaze By the sweet power of musick. Therefore...himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his...
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Imagination and fancy; or Selections from the English poets, with critical ...

Leigh Hunt - 1845
...of musick touch their ears, You shall perceive them make a mutual stand— Their savage eyes turned to a modest gaze By the sweet power of musick. Therefore...himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections...
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New Illustrations of the Life, Studies, and Writings of Shakespeare, Volume 1

Joseph Hunter - 1845
...trumpet sound, Or any air of musick touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze, By the...Orpheus drew trees, stones, and floods ; Since nought so Blockish, hard, and full of rage, But musick for the time doth change his nature : The man that hath...
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Studies in English poetry [an anthology] with biogr. sketches and notes by J ...

Joseph Payne - 1845
...them make a mutual stand ; Their savage eyes turned to a modest gaze, By the sweet power of musie. Therefore the poet Did feign that Orpheus drew trees,...Since nought so stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved...
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Comedies

William Shakespeare - 1846
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Chambers's Miscellany of Useful and Entertaining Tracts

William Chambers, Robert Chambers - Art - 1846
...perceive them make a mutual stand, Their savage eyes turned to a modest gaze By the sweet power of music. Therefore, the poet Did feign that Orpheus drew trees,...Since nought so stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved...
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Midsummer-night's dream. Love's labor's lost. Merchant of Venice. As you ...

William Shakespeare - 1846
...perceive them make a mutual stand, Their savage eyes turned to a modest gaze, By the sweet power of music. Therefore, the poet Did feign that Orpheus drew trees,...Since nought so stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved...
Full view - About this book




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