| William Chambers, Robert Chambers - Art - 1846 - 934 pages
...touch their ears, You shall perceive them make a mutual stand, Their savage eyes turned to a modest gaze By the sweet power of music. Therefore, the poet...doth change his nature. The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils... | |
| Eliphalet L. Rice - American literature - 1846 - 432 pages
...— Their savage eyes turned to a modest gaze By the sweet power of music : — Therefore the poet But music for the time doth change his nature: The...Nor is not mov'd with concord of sweet sounds, Is Jit for treasons, stratagems, aud spoils ; The motions of his spirit are dull as night, And his affections... | |
| Edward A. Lippman - Music - 1994 - 564 pages
...touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze, By the sweet power of music; therefore the poet...that Orpheus drew trees, stones, and floods; Since naught so stockish, hard, and full of rage, But music for the time doth change his nature. The man... | |
| E. Michael Jones - Music - 1994 - 214 pages
...By the sweet power of music. Orpheus could even get "trees, stones and floods" dancing, Since naught so stockish, hard and full of rage But music for the time doth change his nature. Since even brute nature succumbs to the divine order made explicit in music, the only thing that can... | |
| William Shakespeare - Drama - 1996 - 1290 pages
...touch their ears, You shall perceive them make a mutual stand, Their savage eyes tum'd to a modest naught so stockist!, hard, and full of rage, But music for the time doth change his nature. The man... | |
| Pauline Kiernan - Drama - 1998 - 236 pages
...touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze, By the sweet power of music: therefore the poet...that Orpheus drew trees, stones, and floods, Since naught so stockish, hard, and full of rage, But music for the time doth change his nature . . . (The... | |
| Vladimir Golstein - Heroes in literature - 1998 - 266 pages
...sets up for his ultimate hero. 185 Afterword: "The Man That Hath No Music in Himself . Since naught so stockish, hard, and full of rage, But music for...change his nature, — The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems and spoils,... | |
| Aleksandr Tikhonovich Parfenov, Joseph G. Price - Drama - 1998 - 216 pages
...to Jessica (5.1). To deny music, as Shylock had done earlier in the play, is to deviate from human nature: The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, strategems, and spoils. The motions of his spirit are dull as night And his affections... | |
| Daniel H. Garrison, Horace - Literary Criticism - 1991 - 420 pages
...Venice, 5.1.79ff.: Therefore the poet Did feign that Orpheus drew trees, stones, and floods, Since naught so stockish, hard, and full of rage But music for the time doth change his nature. 9. arte materna: ie, the skill imparted by his mother, the muse Calliope. 10. lapsus: downward courses.... | |
| Geoffrey Miles - Fiction - 1999 - 476 pages
...Therefore the poet 80 Did feign0 that Orpheus drew trees, stones, and floods. Since naught so stockish,0 hard, and full of rage But music for the time doth change his nature. The man that hath no music in himself. Nor is not moved with concord of sweet sounds. Become: suit. touches: notes, musical phrases,... | |
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