 | Tom Lutz - Psychology - 2001 - 358 pages
...dramatic art and the riddle of human empathy as well, in one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect,... | |
 | Stephen Orgel, Sean Keilen - Literary Criticism - 1999 - 356 pages
...been so eager for a passionate speech is yet surprised when it comes and when it seizes the player: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect,... | |
 | Gail Holst-Warhaft - Family & Relationships - 2000 - 252 pages
...Afterthoughts 198 Notes 203 References 213 Index 225 The Cue for Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect,... | |
 | William Shakespeare - Drama - 2001 - 304 pages
...lord. [Exeunt ROSINCRANCE and GUILDENSTERN] Hamlet Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous...his visage wann'd, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for... | |
 | Lawrence Schoen - Fiction - 2001 - 240 pages
...Elsinore. Rosencrantz Good my lord! [Exeunt ROSENCRANTZ and GUILDENSTERN] Hamlet Ay, so, God be wi' ye! Now I am alone. O, what a rogue and peasant slave...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect,... | |
 | P. E. Easterling, Edith Hall - Biography & Autobiography - 2002 - 550 pages
...manner in which one of the leading players has impersonated Hecuba's grief, soliloquises (558-67): Is it not monstrous, that this player here. But in...distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to... | |
 | William Shakespeare - Quotations, English - 2002 - 244 pages
...that's villanous, and shows a most pitiful ambition in the fool that uses it. Hamlet— Hamlet III.ii O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in 's aspect,... | |
 | John Gibson, Wolfgang Huemer - Literary Criticism - 2004 - 376 pages
...struck by the discrepancy between the mere actor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not...whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting... | |
 | Alan Shepard, Stephen David Powell Powell - Literary Criticism - 2004 - 324 pages
...gaze when he has Hamlet, after one of the players recites a speech for him, play the drama critic: O, what a rogue and peasant slave am I! Is it not...whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting... | |
 | John Gibson, Wolfgang Huemer - Criticism - 2004 - 372 pages
...struck by the discrepancy between the mere artor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not...soul so to his whole conceit That from her working a1l his visage wanned, Tears in his eyes, distrartion in 's aspect, A hroken voice, and his whole function... | |
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O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd... 
