An Essay on the Genius and Writings of Pope ...W.J. and J. Richardson, 1806 - 8 pages |
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Page 34
... eye ! 7 : A step , * In this light also his poem on the Ruins of Rome deserves a perusal . Dodsley's1 Miscell . Wolf Vic page 178 His Fleece , AT # ed to envoltodal bus viluotibwhich A step , methinks , may pass the stream , 34 ESSAY ON ...
... eye ! 7 : A step , * In this light also his poem on the Ruins of Rome deserves a perusal . Dodsley's1 Miscell . Wolf Vic page 178 His Fleece , AT # ed to envoltodal bus viluotibwhich A step , methinks , may pass the stream , 34 ESSAY ON ...
Page 38
... eyes on each other , and terrified , and wondering from whence these aërial voices . should proceed ! I have dwelt chiefly on this ode as much less celebrated than L'Allegro and Il Penseroso , which are now universally known ; but which ...
... eyes on each other , and terrified , and wondering from whence these aërial voices . should proceed ! I have dwelt chiefly on this ode as much less celebrated than L'Allegro and Il Penseroso , which are now universally known ; but which ...
Page 39
... eyes Should look so near upon her foul deformities . D 4 " It • * This conceit , with the rest , however , is more excusable , if we recollect how great a reader , especially at this time , " Milton was of the Italian Poets . It is ...
... eyes Should look so near upon her foul deformities . D 4 " It • * This conceit , with the rest , however , is more excusable , if we recollect how great a reader , especially at this time , " Milton was of the Italian Poets . It is ...
Page 45
... eyes . * But the novelty and nature we admire in the descriptions of Thomson , are by no means his only excellencies ; he is equally to be praised for impressing on our minds the effects , which the scene delineated would have on the ...
... eyes . * But the novelty and nature we admire in the descriptions of Thomson , are by no means his only excellencies ; he is equally to be praised for impressing on our minds the effects , which the scene delineated would have on the ...
Page 53
... eyes of the reader . The descent of Orpheus into hell is gracefully introduced in the fourth stanza , as it naturally flowed from the subject of the preceding the description of the infernal regions is well imagin- ed ; and the effects ...
... eyes of the reader . The descent of Orpheus into hell is gracefully introduced in the fourth stanza , as it naturally flowed from the subject of the preceding the description of the infernal regions is well imagin- ed ; and the effects ...
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Abelard abounds Addison admirable Æneid ancient appear Ariosto bard beautiful Boccace Boileau Cant canto celebrated character Chaucer circumstances composition Corneille critic Dante Domenichino Dryden Eclogue elegant Eloisa epic epic poetry epistle equal Essay Euripides excellent expressed eyes Fame fancy French genius Georgics grace Greek hath heroes Homer honour Horace Iliad imagery images imagination imitated introduced Italian Jane Shore king language lately Latin learned lines lively lover manner mentioned merit Milton mind nature numbers o'er observed opinion Ovid painted Paradise Lost particularly passage passion pathetic perhaps Petrarch piece Pindar poem poesy poet poetical poetry POPE praise prince propriety quæ Quintilian Racine racter reader remarkable satire says scene sentiments solemn Sophocles speaks species Spenser spirit stanza story strokes sublime sylphs Tasso taste tender Theocritus thou thought tion tragedy translated verses Virgil Voltaire words writer written
Popular passages
Page 145 - The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar...
Page 224 - Be kind and courteous to this gentleman ; Hop in his walks, and gambol in his eyes ; Feed him with apricocks and dewberries, -. With purple grapes, green figs, and mulberries. The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs, And light them at the fiery glow-worm's eyes...
Page 134 - Alps we try, Mount o'er the vales, and seem to tread the sky, Th' eternal snows appear already past, And the first clouds and mountains seem the last: But, those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes.
Page 7 - Lycidas ? For neither were ye playing on the steep, Where your old Bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wisard stream : Ay me ! I fondly dream ! Had ye been there...
Page 315 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Page 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Page 390 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze, with bossy sculptures graven •, The roof was fretted gold.
Page 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
Page 130 - From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without passing thro' the judgment, gains The heart, and all its end at once attains.
Page 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.