An Essay on the Genius and Writings of Pope ...W.J. and J. Richardson, 1806 - 8 pages |
From inside the book
Results 6-10 of 35
Page 66
... compositions are so much injured by descending to personal satire . The name of Malherbe is respectable , as he was the first reformer of the French poesy , and the first who gave his countrymen any idea of a le- gitimate ode ; though ...
... compositions are so much injured by descending to personal satire . The name of Malherbe is respectable , as he was the first reformer of the French poesy , and the first who gave his countrymen any idea of a le- gitimate ode ; though ...
Page 69
... compositions of POPE , are two choruses inserted in a very heavy tragedy altered from Shakespeare by the Duke of Buck- ingham ; in which we see that the most ac- curate observation of dramatic rules without genius is of no effect ...
... compositions of POPE , are two choruses inserted in a very heavy tragedy altered from Shakespeare by the Duke of Buck- ingham ; in which we see that the most ac- curate observation of dramatic rules without genius is of no effect ...
Page 85
... composition in his head , besides those he here refers to ; for there is a close and surprising resemblance * between this ode of POPE , and one of an obscure and for- gotten rhymer of the age of Charles the Second , namely , Thomas ...
... composition in his head , besides those he here refers to ; for there is a close and surprising resemblance * between this ode of POPE , and one of an obscure and for- gotten rhymer of the age of Charles the Second , namely , Thomas ...
Page 99
... composition . The eloquentiæ genus , " for which he will be dis- tinguished , will not be the " plenum et erectum , et audax , et præcelsum , " but the " pressum , et mite , et limatum . ” * In the earliest letters of POPE to Wycherly ...
... composition . The eloquentiæ genus , " for which he will be dis- tinguished , will not be the " plenum et erectum , et audax , et præcelsum , " but the " pressum , et mite , et limatum . ” * In the earliest letters of POPE to Wycherly ...
Page 100
... them . Moliere was full forty when he wrote the first of those comedies on which his reputation is founded . But to excel in this spe- * Sect . x . 2 .. cies cies of composition , it was not sufficient for Mo- 100 ESSAY ON THE GENIUS.
... them . Moliere was full forty when he wrote the first of those comedies on which his reputation is founded . But to excel in this spe- * Sect . x . 2 .. cies cies of composition , it was not sufficient for Mo- 100 ESSAY ON THE GENIUS.
Other editions - View all
Common terms and phrases
Abelard abounds Addison admirable Æneid ancient appear Ariosto bard beautiful Boccace Boileau Cant canto celebrated character Chaucer circumstances composition Corneille critic Dante Domenichino Dryden Eclogue elegant Eloisa epic epic poetry epistle equal Essay Euripides excellent expressed eyes Fame fancy French genius Georgics grace Greek hath heroes Homer honour Horace Iliad imagery images imagination imitated introduced Italian Jane Shore king language lately Latin learned lines lively lover manner mentioned merit Milton mind nature numbers o'er observed opinion Ovid painted Paradise Lost particularly passage passion pathetic perhaps Petrarch piece Pindar poem poesy poet poetical poetry POPE praise prince propriety quæ Quintilian Racine racter reader remarkable satire says scene sentiments solemn Sophocles speaks species Spenser spirit stanza story strokes sublime sylphs Tasso taste tender Theocritus thou thought tion tragedy translated verses Virgil Voltaire words writer written
Popular passages
Page 145 - The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar...
Page 224 - Be kind and courteous to this gentleman ; Hop in his walks, and gambol in his eyes ; Feed him with apricocks and dewberries, -. With purple grapes, green figs, and mulberries. The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs, And light them at the fiery glow-worm's eyes...
Page 134 - Alps we try, Mount o'er the vales, and seem to tread the sky, Th' eternal snows appear already past, And the first clouds and mountains seem the last: But, those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes.
Page 7 - Lycidas ? For neither were ye playing on the steep, Where your old Bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wisard stream : Ay me ! I fondly dream ! Had ye been there...
Page 315 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Page 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Page 390 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze, with bossy sculptures graven •, The roof was fretted gold.
Page 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
Page 130 - From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without passing thro' the judgment, gains The heart, and all its end at once attains.
Page 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.