Poetaster, Issues 27-28 |
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Page xlviii
... Virgil also refers to her in connection with Gallus in the tenth eclogue . Cicero writes of her to Paetus ( Fam . 9. 26 ) , as being present with V. Eutrapelus at a dinner party , in B. C. 46 , probably in August . In his correspondence ...
... Virgil also refers to her in connection with Gallus in the tenth eclogue . Cicero writes of her to Paetus ( Fam . 9. 26 ) , as being present with V. Eutrapelus at a dinner party , in B. C. 46 , probably in August . In his correspondence ...
Page liv
... Virgil , even Octavius , have approved the satires of Horace , but Hermogenes has carped at them and tried to injure the author . He is advised , in conclusion , to go and lament among his female pupils . Who these discipulae were ...
... Virgil , even Octavius , have approved the satires of Horace , but Hermogenes has carped at them and tried to injure the author . He is advised , in conclusion , to go and lament among his female pupils . Who these discipulae were ...
Page lxv
... Virgil , Ecl . 9. 53-4 . Of course this sounds reasonable , but how much more interesting it would be if we could only have a suggestion that some ugly apothecary , or publisher , or sergeant of the Counter , was here the object ...
... Virgil , Ecl . 9. 53-4 . Of course this sounds reasonable , but how much more interesting it would be if we could only have a suggestion that some ugly apothecary , or publisher , or sergeant of the Counter , was here the object ...
Page lxxix
... the following note on the Pyrgi ( Ben Jonson I. 263 ) : ' Etymologically , engines used in sieges ; hence applied to pages used by Tucca to carry out his designs . ' Albius Tibullus , a friend of Horace and Virgil , Introduction lxxix.
... the following note on the Pyrgi ( Ben Jonson I. 263 ) : ' Etymologically , engines used in sieges ; hence applied to pages used by Tucca to carry out his designs . ' Albius Tibullus , a friend of Horace and Virgil , Introduction lxxix.
Page lxxx
... Virgil , and Horace himself , and it is Tibullus who , in act 5 sc . 3 , is chiefly instrumental in con- founding the poet - apes . Fleay himself would be the first to assert that if Jonson were drawing the portrait of Samuel Daniel ...
... Virgil , and Horace himself , and it is Tibullus who , in act 5 sc . 3 , is chiefly instrumental in con- founding the poet - apes . Fleay himself would be the first to assert that if Jonson were drawing the portrait of Samuel Daniel ...
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actors Aesop ALBI Albius allusion Anaides appears Arch Ben Jonson beſt CAES CAESAR Captaine Chapman CHLO CHLOE CRIS Crispinus Cynthia's Revels CYTHERIS Dekker Demetrius drachme edition euery felfe fhall firſt flaue Fleay folio fome foule fuch fweet GALL Gallus GALLVS gentleman Gifford giue hath haue heauen Hedon HERMOGENES HIST Histrio Histriomastix HORA Horace Humour I'le IVLI IVPITER John Marston Jonson ladie leaue Lictors lines liue London loue Lupus LVPV Marston Maſter MINOS moſt muſt neuer OVID passage passim play players poet Poetaster Pray Pyrgus quarto Roman Samuel Daniel satire Satiromastix says scene seems Shakespeare ſhall ſhould Spanish Tragedy ſpirit stage Stage-Quarrel theatre thee theſe thou Tibullus TIBV TIBVLLVS translation Tucca Tvcc verso VIRG Virgil vpon Whalley wife word
Popular passages
Page xc - O that Ben Jonson is a pestilent fellow, he brought up Horace giving the Poets a pill, but our fellow Shakespeare hath given him a purge that made him bewray his credit.
Page cii - Lastly, I would inform you, that this book, in all numbers, is not the same with that which was acted on the public stage ; wherein a second pen had good share...
Page 223 - Jonson) is a great lover and praiser of himself ; a contemner and scorner of others ; given rather to lose a friend than a jest ; jealous of every word and action of those about him (especially after drink, which is one of the elements in which he liveth...
Page 216 - ... it. In his works you find little to retrench or alter. Wit, and language, and humour, also in some measure, we had before him ; but something of art was wanting to the drama, till he came. He managed his strength to more advantage than any who preceded him. You seldom find him making love in any of his scenes, or endeavouring to move the passions ; his genius was too sullen and saturnine to do it gracefully, especially when he 'knew he came after those who had performed both to such a height.
Page xliii - He had many quarrells with Marston, beat him, and took his pistol from him, wrote his Poetaster on him; the beginning of them were, that Marston represented him in the stage, in his youth given to venerie.
Page 281 - A New Study of his Life and Writings. CAROLINE LOUISA WHITE, Ph.D. $1.50. III. The Life of St. Cecilia, from MS. Ashmole 43 and MS. Cotton Tiberius E. VII, with Introduction, Variants, and Glossary. BERTHA ELLEN LOVEWELL, Ph.D. $1.00. IV. Dryden's Dramatic Theory and Practice. MARGARET SHERWOOD, Ph.D.
Page 236 - There is still another place, built in the form of a theatre, which serves for the baiting of bulls and bears; they are fastened behind, and then worried by great English bull-dogs, but not without great risk to the dogs, from the horns of the one and the teeth of the other; and it sometimes happens that they are killed upon the spot; fresh ones are immediately supplied in the places of those that are wounded or tired.
Page xxxv - ... either to gaine or keep. Vindicative, but if he be well answered, at himself, for any religion as being versed in both, interpreteth best sayings and deeds often to the worst: oppressed with fantasie, which hath ever mastered his reason, a generall disease in many poets. his inventions are smooth and easie, but above all he excelleth in a translation.
Page xc - It is said of the incomparable Virgil, that he brought forth his verses like a bear, and after formed them with licking.
Page 160 - Roger, thou know'st the length of my foot; as it is none of the biggest, so I thank God, it is handsome enough; prithee, let me have a pair of shoes made, cork, good Roger, wooden heel too.