細說莎士比亞論文集: a collection of essays 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出, 論文集以學者犀利的目光,淵博深厚的修養,獨到的見解, |
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Page 38
... 其他觀眾,也看不出哪一位有這種領悟。沒有任何跡象顯示,這批觀眾看完了戲,會變得聰明些,會對愛情的盲目和不可理喻有深刻的認識。賴散德在最沒有理智的時候(當然是因為受到空戀花花露的影響) ,說了這段著名的台詞:人類的意念受到理智左右,理智說你[何蓮娜] ...
... 其他觀眾,也看不出哪一位有這種領悟。沒有任何跡象顯示,這批觀眾看完了戲,會變得聰明些,會對愛情的盲目和不可理喻有深刻的認識。賴散德在最沒有理智的時候(當然是因為受到空戀花花露的影響) ,說了這段著名的台詞:人類的意念受到理智左右,理智說你[何蓮娜] ...
Page 46
... 。然而,我們若是迴護編劇者困思,就是責備演員困思——以及其他演員。 7 「《仲夏夜之夢》原為某一婚禮而作——這一假設強而有力,只差沒直接的證據來確立」( Brooks , 1xxxix )。另參見 Muir 77 。 引用書目• Brooks , Harold F. , ed . 46 ◎細說莎士比亞:論文集.
... 。然而,我們若是迴護編劇者困思,就是責備演員困思——以及其他演員。 7 「《仲夏夜之夢》原為某一婚禮而作——這一假設強而有力,只差沒直接的證據來確立」( Brooks , 1xxxix )。另參見 Muir 77 。 引用書目• Brooks , Harold F. , ed . 46 ◎細說莎士比亞:論文集.
Page 59
... 其他貴族大臣之間的嫌隙。約克公爵( Duke of York )說得好,李察這種無情無義的行為,一定會「給[自己]招來千千萬萬的危險, / [並且]失去千萬顆愛戴的忠心」( 2.1.205-6 )。將剛特的財產充公,無異是向封建制度正面宣戰,而封建制度卻又是李察得以在位為王 ...
... 其他貴族大臣之間的嫌隙。約克公爵( Duke of York )說得好,李察這種無情無義的行為,一定會「給[自己]招來千千萬萬的危險, / [並且]失去千萬顆愛戴的忠心」( 2.1.205-6 )。將剛特的財產充公,無異是向封建制度正面宣戰,而封建制度卻又是李察得以在位為王 ...
Page 66
... 其他用意,只是要回他世襲的繼承權,再就是雙膝下跪,懇求您立即賜他自由; [ Bolingbroke's ] coming hither hath no further scope Than for his lineal royalties , and to beg Enfranchisement immediate on his knees ; ( 3.3 . 112-14 )李察當即慷慨地 ...
... 其他用意,只是要回他世襲的繼承權,再就是雙膝下跪,懇求您立即賜他自由; [ Bolingbroke's ] coming hither hath no further scope Than for his lineal royalties , and to beg Enfranchisement immediate on his knees ; ( 3.3 . 112-14 )李察當即慷慨地 ...
Page 87
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Page 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Page 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Page 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Page 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Page 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Page 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Page 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Page 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?