Her help from toils and watchings hope to find, Not the smooth nymph, whose locks in knots are twin'd, You have here another Victory* that I fancy Claudian had in his view when he mentions her wings, palm, and trophy, in the following description. It appears on a coin of Constantine, who lived about an age before Claudian, and I believe we shall find that it is not the only piece of antique sculpture that this poet has copied out in his descriptions. -cum totis exurgens ardua pennis CLAUD. de Laud, Stil, lib. 3. On all her plumage rising when she threw The last of our imaginary beings is Liberty. In her left hand she carries the wand that the Latins call the rudis or vindicta, and in her right the cap of Liberty. The poets use the same kinds of metaphors to express Liberty. I shall quote Horace for the first, whom Ovid has imitated on the same occasion; and for the latter, Martial. donatum jam rude quæris Mecanas iterum antiquo me includere ludo. HoR. lib. 1. ep.1. -tardâ vires minuente senectâ Me quoque donari jam rude tempus erat. Ov. DETR. lib. 4. el. 8. Since bent beneath the load of years I stand, Quod te nomine jam tuo saluto Quem regem, et dominum priùs vocabam, MART. lib. 2. epig. 68. By thy plain name though now addrest, I cannot forbear repeating a passage out of Persius, says Cynthio, that in my opinion turns the ceremony of making a freeman very handsomely into ridicule. It seems the clapping a cap on his head and giving him a turn on the heel were necessary circumstances, A slave thus qualified became a citizen of Rome, and was honoured with a name more than belonged to any of his forefathers, which Persius has repeated with a great deal of humour. ·Heu steriles veri, quibus una Quiritem That false enfranchisement with ease is found: PERS, sat, 5. Marcus is made a judge, and for a proof What farther can we from our caps receive, Mr. DRYDEN. Since you have given us the ceremony of the cap, says Eugenius, I'll give you that of the wand, out of Claudian. Te fastos ineunte quater, sollernia ludit Verbera promissi felix injuria voti. CLAUD. de 4. Cons. Hon. The grato ictu and the felir injuria, says Cynthio, would have told us the name of the author, though you had said nothing of him. There is none of all the poets that delights so much in these pretty kinds of contradiction as Claudian. He loves to set his epithet at variance with its substantive, and to surprise his reader with a seeming absurdity. If this poet were well examined, one would find that some of his greatest beauties as well as faults arise from the frequent use of this particular figure. I question not, says Philander, but you are tired by this time with the company of so mysterious a sort of ladies as those we have had before us. We will now, for our diversion, entertain ourselves with a set of riddles, and see if we can find a key to them among the ancient poets. The first of them, says Cynthio, is a ship under sail, I suppose it has at least a metaphor or moral precept for its cargo. This, says Philander, is an emblem of Happiness*, as you may see by the inscription it carries in its sails. We find the same device to express the same thought in several of the poets: as in Horace, when he speaks of the modera* Second series, fig. 1. tion to be used in a flowing fortune, and in Ovid when he reflects on his past happiness. Rebus angustis animosus atque HOR. Od. 20. lib. 2. When Fortune sends a stormy wind, Nominis et fama quondam fulgore trahebar, Mr. CREECH. Dum tulit antennas aura secunda meas. Ov. DETRIS. lib. 5.el. 12. En ego, non paucis quondam munitus amicis, Dum flavit velis aura secunda meis. Id. epist. ex. ponto 3. lib.3. I liv'd the darling theme of ev'ry tongue, The golden idol of th' adoring throng; Guarded with friends, while Fortune's balmy gales You see the metaphor is the same in the verses as in the medal, with this distinction only, that the one is in words and the other in figures. The idea is alike in both, though the manner of representing it is different. If you would see the whole ship made use of in the same sense by an old poet, as it is here on the medal, you may find it in a pretty allegory of Seneca. Fata si liceat mihi SEN. DIP. chor, act. 4. My fortune might I form at will, 1 After having considered the ship as a metaphor, we may now look on it as a reality, and observe in it the make of the old Roman vessels, as they are described among the poets. It is carried on by oars and sails at the same time. Sive opus est velis minimam bene currit ad auram, Sive opus est remo remige carpit iter. Ov. DE TRIST. lib. 1.el. 10. The poop of it has the bend that Ovid and Virgil mention. ·Puppique recurva. Ibid. lib. 1. el. 3. · Littora curvæ Prætexunt puppes VIRG. You see the description of the pilot, and the place he sits on, in the following quotations. I have mentioned these two last passages of Virgil, because I think we cannot have so right an idea of the pilot's misfortune in each of them, without observing the situation of his post, as appears in ancient coins. The figure you see on the other end of the ship is a Triton, a man in his upper parts, and a fish below, VOL. V. E |