Her planetary eyes, and touch her voice With such a sorrow? "Shade of Memory!" Cried I, with act adorant at her feet, "By all the gloom hung round thy fallen house, 260 By this last temple, by the golden age, By great Apollo, thy dear foster-child, And by thyself, forlorn divinity, The pale Omega of a wither'd race, Let me behold, according as thou saidst, 265 What in thy brain so ferments to and fro!" My devout lips, than side by side we stood (Like a stunt bramble by a solemn pine) Deep in the shady sadness of a vale 270 Far sunken from the healthy breath of morn, 275 Came brief upon mine ear. "So Saturn sat When he had lost his realms;" whereon there grew A power within me of enormous ken To see as a god sees, and take the depth 280 Of things as nimbly as the outward eye Can size and shape pervade. The lofty theme Of those few words hung vast before my mind With half-unravell'd web. I sat myself Upon an eagle's watch, that I might see, 285 And seeing ne'er forget. No stir of life Was in this shrouded vale,-not so much air As in the zoning of a summer's day (270-2) Compare Hyperion, Book I, lines 1 to 3. Robs not one light seed from the feather'd grass; Spreading more shade; the Naiad 'mid her reeds Along the margin-sand large foot-marks went It seem'd no force could wake him from his place; (289-306) See lines 9 to 25 of Hyperion, Book I. 290 295 300 305 310 315 (315) It will be seen that this passage, though varying much in detail from the later version (Book I, lines 37 to 88), is substantially As if the venom'd clouds of evil days vanward of, p.147. Leaning, with parted lips some words she spoke 320 325 "Saturn, look up! and for what, poor lost king? 330 I have no comfort for thee; no, not one; I cannot say, wherefore thus sleepest thou? For Heaven is parted from thee, and the Earth The Ocean, too, with all its solemn noise, "With such remorseless speed still come new woes, That unbelief has not a space to breathe. Saturn sleep on: me thoughtless, why should I Thus violate thy slumbrous solitude? 335 340 345 the same down to line 363. This is a very notable instance of fine work done on a rough sketch. Why should I ope thy melancholy eyes? As when upon a tranced summer-night Forests, branch-charmed by the earnest stars, Dream, and so dream all night without a noise, Save from one gradual solitary gust 350 Swelling upon the silence, dying off, As if the ebbing air had but one wave, So came these words and went; the while in tears 355 360 I look'd upon them: still they were the same; Intense, that death would take me from the vale And all its burthens; gasping with despair Of change, hour after hour I curs'd myself, 375 Until old Saturn rais'd his faded eyes, (376-9) Compare Hyperion, Book I, lines 89-92. And look'd around and saw his kingdom gone, And that fair kneeling Goddess at his feet. As the moist scent of flowers, and grass, and leaves, Fills forest-dells with a pervading air, 381 Known to the woodland nostril, so the words Of Saturn fill'd the mossy glooms around, Even to the hollows of time-eaten oaks, And to the windings of the foxes' hole, 385 With sad, low tones, while thus he spoke, and sent Strange moanings to the solitary Pan. "Moan, brethren, moan, for we are swallow'd up And buried from all godlike exercise Of influence benign on planets pale, 390 And peaceful sway upon man's harvesting, Doth ease its heart of love in. Moan and wail; No smell of death.-There shall be death. moan; Moan, Cybele, moan; for thy pernicious babes (388-93) Compare Book I, lines 106-12. 395 Moan, 400 405 |