Macready's Reminiscences, and Selections from His Diaries and Letters |
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Page vi
... Richard III . — Mistake of " points " in acting - Kean in Richard III . at Drury Lane - Supper with Kean - His powers of conversation and mimicry -Miss O'Neill in Juliet at Covent Garden CHAPTER VI . 1815. - Engagement at Glasgow - At ...
... Richard III . — Mistake of " points " in acting - Kean in Richard III . at Drury Lane - Supper with Kean - His powers of conversation and mimicry -Miss O'Neill in Juliet at Covent Garden CHAPTER VI . 1815. - Engagement at Glasgow - At ...
Page vii
... Richard III . at Covent Garden -Attempted rivalry with Kean - Kean's policy with him - Appears as Iago to Kean's Othello at Drury Lane - His complete discomfiture -Macready acting with Booth as Valentio in The Conquest of Taranto ...
... Richard III . at Covent Garden -Attempted rivalry with Kean - Kean's policy with him - Appears as Iago to Kean's Othello at Drury Lane - His complete discomfiture -Macready acting with Booth as Valentio in The Conquest of Taranto ...
Page viii
... Richard III . - Complete success -Contemporary criticisms - Effect on the treasury of the theatre Altered position - Account of Mrs. Siddons in Rowe's ' Tamerlane ' First appearance in Coriolanus - Sonnet by Barry Cornwall - A fickle ...
... Richard III . - Complete success -Contemporary criticisms - Effect on the treasury of the theatre Altered position - Account of Mrs. Siddons in Rowe's ' Tamerlane ' First appearance in Coriolanus - Sonnet by Barry Cornwall - A fickle ...
Page xi
... Richard III .'- Assault on Bunn - Newspaper comments - Malibran - Remorse - Charles Kemble -Appearance at Covent Garden Theatre - Address from the stage -Eclipse of the sun - First night of ' Ion ' - Supper at Talfourd's- Bunn v ...
... Richard III .'- Assault on Bunn - Newspaper comments - Malibran - Remorse - Charles Kemble -Appearance at Covent Garden Theatre - Address from the stage -Eclipse of the sun - First night of ' Ion ' - Supper at Talfourd's- Bunn v ...
Page xii
... Richard Cromwell in ' Master Clarke Reading and arranging Bulwer's Money'— Rehearsal of Money -Acceptance of Griffin's ' Gisippus ' — Death of Joan - First night of ' Money 467 485 1811 . Calculation of expenses - Siddons monument ...
... Richard Cromwell in ' Master Clarke Reading and arranging Bulwer's Money'— Rehearsal of Money -Acceptance of Griffin's ' Gisippus ' — Death of Joan - First night of ' Money 467 485 1811 . Calculation of expenses - Siddons monument ...
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Common terms and phrases
actor admiration appearance applause April attention audience August Bartley Bath beautiful Birmingham Bulwer Bunn called carriage Catherine character Charles Kemble Coriolanus Covent Garden Theatre crowded house dear delight dined dinner dramatic dress Drury Lane Theatre Dublin earnest effect Elstree engagement excited father February feeling felt Forster Garrick Club gave give Hamlet heart hour Iago interest January John Kemble Julius Cæsar July June Kean Kean's King King Lear labour Lady Lear leave letter London looked Lord Macbeth Macready Macready's manager March ment mind Miss O'Neill morning never Newcastle night November October Othello passed passion performance person play present received rehearsal Richard Rob Roy scene season seemed sent Shakespeare's Siddons spirit stage success Talfourd theatrical thought told took town tragedy Virginius W. C. MACREADY walk week wish words wrote young
Popular passages
Page 387 - Action is transitory — a step, a blow. The motion of a muscle — this way or that — 'Tis done, and in the after-vacancy We wonder at ourselves like men betrayed : Suffering is permanent, obscure and dark, And shares the nature of infinity.
Page 122 - I am distressed for thee, my brother Jonathan: very pleasant hast thou been unto me: thy love to me was wonderful, passing the love of women.
Page 182 - And in their silent faces did he read Unutterable love. Sound needed none, Nor any voice of joy ; his spirit drank The spectacle : sensation, soul, and form All melted into bun ; they swallowed up His animal being; in them did he live, And by them did he live ; they were his life. In such access of mind, in such high hour Of visitation from the living God, Thought was not ; in enjoyment it expired.
Page 84 - For ill can Poetry express Full many a tone of thought sublime, And Painting, mute and motionless, Steals but a glance of time. But by the mighty actor brought, Illusion's perfect triumphs come, — Verse ceases to be airy thought, And Sculpture to be dumb.
Page 74 - My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.
Page 406 - The discretion of a man deferreth his anger ; and it is his glory to pass over a transgression.
Page 308 - I noted one odd saying of Lamb's, that " the last breath he drew in he wished might be through a pipe and exhaled in a pun.
Page 695 - To fathom the depths of character, to trace its latent motives, to feel its finest quiverings of emotion, to comprehend the thoughts that are hidden under words, and thus possess one's self of the actual mind of the individual man" — such was Macready's definition of the player's art ; and to this we may add the testimony of Talma.
Page 48 - With a spirit of fun that would have out-laughed Puck himself, there was a discrimination, an identity with her character, an artistic arrangement of the scene, that made all appear spontaneous and accidental, though elaborated with the greatest care. Her voice was one of the most melodious I ever heard, which she could vary by certain bass tones, that would have disturbed the gravity of a hermit...
Page 73 - My only love sprung from my only hate! Too early seen unknown, and known too late ! Prodigious birth of love it is to me, That I must love a loathed enemy.