The Orator's Manual: A Practical and Philosophical Treatise on Vocal Culture, Emphasis and Gesture, Together with Selections for Declamation and Reading : Designed as a Text-book for Schools and Colleges, and for Public Speakers and Readers who are Obliged to Study Without an Instructor |
From inside the book
Results 1-5 of 24
Page 10
... Stress § 99 ; Initial § 100 ; Terminal § 101 ; Median § 102 ; Compound § 103 ; Thorough § 104 ; Tremulous § 105 - General Force - Abrupt , loud and soft § 107 ; Smooth , loud and soft § 108 ; Sustained , explosive , expulsive and ...
... Stress § 99 ; Initial § 100 ; Terminal § 101 ; Median § 102 ; Compound § 103 ; Thorough § 104 ; Tremulous § 105 - General Force - Abrupt , loud and soft § 107 ; Smooth , loud and soft § 108 ; Sustained , explosive , expulsive and ...
Page 27
... terminal or median stress ( § 15 ) , precedes the real inflection . This makes the voice in the downward inflection , for instance , move thus , rather than . This preliminary movement of the voice is not represented in the marks used ...
... terminal or median stress ( § 15 ) , precedes the real inflection . This makes the voice in the downward inflection , for instance , move thus , rather than . This preliminary movement of the voice is not represented in the marks used ...
Page 30
... Stress . ( §§ 99-105 . ) Lift the arms at full length above the head , and strike for- ward and down . When the ... Terminal Stress < , with the end of the sound loudest ; made with expulsive or explosive utterance ( §§ 8 , 10 ) . Median ...
... Stress . ( §§ 99-105 . ) Lift the arms at full length above the head , and strike for- ward and down . When the ... Terminal Stress < , with the end of the sound loudest ; made with expulsive or explosive utterance ( §§ 8 , 10 ) . Median ...
Page 38
... Stress that is given to a syllable . The different kinds of stress , determined by the place in the syllable on which the chief energy is expended , are initial > , terminal < , median compound << , thorough and tremulous ~ . ( See ...
... Stress that is given to a syllable . The different kinds of stress , determined by the place in the syllable on which the chief energy is expended , are initial > , terminal < , median compound << , thorough and tremulous ~ . ( See ...
Page 67
... stress ; e . g . They are gone ; or with an abrupt terminal stress ( § 101 ) . 88. Diatonic Melody results where the unemphatic concrete syllables in a passage slide over an interval of a whole musical tone ( diatonic ) , and the ...
... stress ; e . g . They are gone ; or with an abrupt terminal stress ( § 101 ) . 88. Diatonic Melody results where the unemphatic concrete syllables in a passage slide over an interval of a whole musical tone ( diatonic ) , and the ...
Common terms and phrases
abdomen abrupt arms Aspirate audience blood blót breast breath Cæsar circumflex clause conditional mood diaton e. g. Daily effus elbow emphatic explosive express expulsive falling inflection feel Finger gesture fingers fist forward front give grave Greece guttural hand heart heaven ideas idem idem idem imperative mood Ireland Itály kinds of stress liberty light lips Lochinvar long con Lord loud median stress medium pitch melody mouth move movement natural Netherby o'er orotund passages pauses position principle pure rising inflection Roman Rússia Semitonic sentence side slide slow smooth force soft sound Spartacus straight sustained force syllables terminal stress thee thou thought thumb tion tone unemphatic utterance voice vowel waist wave wave gesture wfsC words wrist Ꭱ Ꮎ Ꭱ Ꮯ
Popular passages
Page 286 - And heard, with voice as trumpet loud, Bozzaris cheer his band: "Strike — till the last armed foe expires; Strike — for your altars and your fires ; Strike — for the green graves of your sires, God, and your native land...
Page 309 - To him who in the love of Nature holds Communion with her visible forms, she speaks A various language ; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware.
Page 87 - Hear the sledges with the bells, Silver bells ! What a world of merriment their melody foretells ! How they tinkle, tinkle, tinkle, In the icy air of night ! While the stars, that oversprinkle All the heavens, seem to twinkle With a crystalline delight...
Page 30 - What think ye of Christ? whose son is he? They say unto him, The son of David. He saith unto them, How then doth David in Spirit call him Lord, saying, The Lord said unto my Lord, Sit thou on my right hand, till I make thine enemies thy footstool? If David then call him Lord, how is he his son...
Page 247 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Page 283 - THE WRECK OF THE HESPERUS. IT was the schooner Hesperus, That sailed the wintry sea ; And the skipper had taken his little daughter, To bear him company.
Page 56 - They are like unto children sitting in the market-place, and calling one to another, and saying, "We have piped unto you, and ye have not danced ; we have mourned to you, and ye have not wept.
Page 292 - But the Consul's brow was sad, And the Consul's speech was low, And darkly looked he at the wall, And darkly at the foe: "Their van will be upon us Before the bridge goes down; And if they once may win the bridge, What hope to save the town?
Page 30 - Faithful are the wounds of a friend ; but the kisses of an enemy are deceitful.
Page 306 - Arve and Arveiron at thy base Rave ceaselessly; but thou, most awful form! Risest from forth thy silent sea of pines, How silently! Around thee and above, Deep is the air and dark, substantial, black, An ebon mass ; methinks thou piercest it, As with a wedge ! But when I look again, It is thine own calm home, thy crystal shrine, Thy habitation from eternity ! 0 dread and silent mount ! I gazed upon thee, Till thou, still present to the bodily sense, Didst vanish from my thought: entranced in prayer....