The Painter, Gilder, and Varnisher's Companion |
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Page ix
... respect- ing the nature , use , and composition of the substances employed by the Painter , Gilder , and Varnisher , I shall give a description of the tools and apparatus necessary in these occupations , with directions for their ...
... respect- ing the nature , use , and composition of the substances employed by the Painter , Gilder , and Varnisher , I shall give a description of the tools and apparatus necessary in these occupations , with directions for their ...
Page 10
... respect , particularly objectionable . For mixing , or rather perfectly incorporating , colours , after they are dry - ground , with oil or water , and still farther refining them , recourse may be had to the mill for which Mr ...
... respect , particularly objectionable . For mixing , or rather perfectly incorporating , colours , after they are dry - ground , with oil or water , and still farther refining them , recourse may be had to the mill for which Mr ...
Page 67
... respects to those prepared with spirits of wine . They are pliable and smooth , as well as brilliant and durable . They yield better to the ope ration of polishing , and are less liable to crack . Oil of poppies , nut oil , and linseed ...
... respects to those prepared with spirits of wine . They are pliable and smooth , as well as brilliant and durable . They yield better to the ope ration of polishing , and are less liable to crack . Oil of poppies , nut oil , and linseed ...
Page 83
... respect to the grinding - stone , that you may be able with ease to exercise the full length and strength of your arms in the use of the muller . Then place upon the stone a small quantity of the colour you are about to grind , not ...
... respect to the grinding - stone , that you may be able with ease to exercise the full length and strength of your arms in the use of the muller . Then place upon the stone a small quantity of the colour you are about to grind , not ...
Page 93
... respect is to leave no marks of the brush behind him . The same general directions that are given for outside painting will apply to inside work ; but , in this latter , more finish and delicacy of execution are necessary than in the ...
... respect is to leave no marks of the brush behind him . The same general directions that are given for outside painting will apply to inside work ; but , in this latter , more finish and delicacy of execution are necessary than in the ...
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Common terms and phrases
acid appear applied beautiful body boiled brush burnt sienna carmine chrome citrine clean coat cobalt Cobalt Green complementary compound contrast copper dark distemper dries dryer drying oil durable effect employed flux fresco gamboge gilding glass glazing gold grain gray green grind ground harmony heat HENRY CAREY imitate impure air Indian red injurious iron lake lamp-black less light linseed oil litharge madder manganese mixed mixture Naples yellow nature neutral oil of turpentine olive orange ornament orpiment ounces overgrainer oxide paint painter panel pencil piece pigments polished pounds Practical prepared primary colors produce properties proportions Prussian blue pure purple quantity russet russet color secondary seed-lac semi-neutral shade Sienna Earth smooth spirits stone striping substances surface tertiary tertiary colors tints tone transparent ultramarine umber Vandyke brown varnish Violet warm wash white lead wood yellow ochre zinc
Popular passages
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