The Painter, Gilder, and Varnisher's Companion |
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Page 7
... Orange colour . Violet colour . Purple ......... . Carnation ..... Gold colour . 43 43 43 43 43 32 Olive colour .. 43 32 Lead colour .. 43 33 Chestnut colour . 43 Yellow Pink . 44 BLUES ... 33 Flesh colour . 44 Prussian Blue 33 Light ...
... Orange colour . Violet colour . Purple ......... . Carnation ..... Gold colour . 43 43 43 43 43 32 Olive colour .. 43 32 Lead colour .. 43 33 Chestnut colour . 43 Yellow Pink . 44 BLUES ... 33 Flesh colour . 44 Prussian Blue 33 Light ...
Page 9
... Orange Yellow , for grounds .... 147 Porphyry , etc ..... 171 Brick Red ... 147 Deep Blood Red .... 147 A White for inside Painting ....... 171 To take Ink Spots out of Mahog- COLOURS OF GOLD .. 147 any ... 172 Hard Carmine ... 148 Pure ...
... Orange Yellow , for grounds .... 147 Porphyry , etc ..... 171 Brick Red ... 147 Deep Blood Red .... 147 A White for inside Painting ....... 171 To take Ink Spots out of Mahog- COLOURS OF GOLD .. 147 any ... 172 Hard Carmine ... 148 Pure ...
Page 11
... ORANGE ..... 269 Phosphate of Iron ..... 295 Chrome Orange ... 270 Plumbago . 295 Orange Ochre ... 271 OF THE NEUTRAL - BLACK . 295 Mars Orange .. 271 Ivory Black ..... 297 Burnt Sienna Earth . 271 Lamp Black ... 297 Orange Lead ...
... ORANGE ..... 269 Phosphate of Iron ..... 295 Chrome Orange ... 270 Plumbago . 295 Orange Ochre ... 271 OF THE NEUTRAL - BLACK . 295 Mars Orange .. 271 Ivory Black ..... 297 Burnt Sienna Earth . 271 Lamp Black ... 297 Orange Lead ...
Page 43
... Orange colour . - Red lead and yellow ochre . Violet colour . - Vermilion , or red lead , mixed with black or blue , and a small portion of white . Vermilion is far preferable to red lead , in mixing this colour . Purple . - Dark - red ...
... Orange colour . - Red lead and yellow ochre . Violet colour . - Vermilion , or red lead , mixed with black or blue , and a small portion of white . Vermilion is far preferable to red lead , in mixing this colour . Purple . - Dark - red ...
Page 44
... orange , and the last burned umber or sienna ; imitating the veins according to your taste and practice . To imitate Wainscot . — Let the first coat be white , the second half white and half yellow ochre , and the third yellow ochre ...
... orange , and the last burned umber or sienna ; imitating the veins according to your taste and practice . To imitate Wainscot . — Let the first coat be white , the second half white and half yellow ochre , and the third yellow ochre ...
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Common terms and phrases
according added addition afford appear applied beauty become better blue body boiled brown brush burnt called clean cloth coat colors common complementary compound contains contrast dark deep dissolved dries dryer durable earth effect employed equal fire give glass glazing gold grain gray green ground half harmony heat Illustrated injurious iron kind lake latter lead less light linseed oil manner mixed mixture mode nature necessary neutral obtained ochre Orange ounces oxide paint painter panel pencil piece pigments polished pound Practical prepared primary principal produce properties proportions pure purple quantity render respect russet secondary shade Sienna smooth sometimes spirits stone striping strong substances sufficient surface Table tints tone transparent turpentine various varnish vary Violet warm wash white lead wood yellow
Popular passages
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