Page images
PDF
EPUB

XII.]

PEREGRINE VIEWS A FOX.

275

Shakespeare's works teem with allusions to the art of falconry.

"HENRY: But what a point, my lord, your falcon made, And what a pitch she flew above the rest!

To see how God in all His creatures works!
Yea, man and birds are fain of climbing high.
SUFFOLK: No marvel, an it like your majesty,
My lord protector's hawks do tower so well;
They know their master loves to be aloft
And bears his thoughts above his falcon's pitch.

GLOUCESTER: My lord, 'tis but a base ignoble mind
That mounts no higher than a bird can soar." 1

But it was not the death of the poor partridge that appealed to the poet's mind so much as the pride and cunning of the mighty peregrine, and the beauty and stillness of the autumnal morning. He loved to hear the faint tinkling of the falcon's bells, the homely cry of the plover, and the sweet carol of the lark; but more than all he felt the mystery of the downs, wondering by what power and when those old seas were converted into a sea of grass.

But whilst the hawking party was moving slowly across the wolds to try fresh ground an event occurred which had the effect of bringing the morning's sport, as far as hawks were concerned, to an abrupt conclusion. This was nothing more nor less than the sight of a great Cotswold fox of the greyhound breed making his way towards a copse on the squire's demesne. The quick eye of the Peregrine family was the first to view him, and forthwith both Bill and his brother screamed in unison: "What's

1 2 Henry VI., II. i.

that sneaking across Smoke Acre yonder? 'Tis a fox-a great, lanky, thieving, villainous fox, darned if it ain't!"

"Where?" said parson and squire excitedly. "There," said Peregrine, "over agin Smoke Acre." 'By jabbers, so it be!" said the parson. "Now look thee here, Joe Peregrine, go thee to the sexton and tell 'un to ring the church bells for the folks to come for a fox; and be sure and tell the churchwardens."

"Ah!" said the poet, almost as excited as the rest of the party,

"And do not stand on quillets how to slay him:
Be it by gins, by snares, by subtlety,

Sleeping or waking, 'tis no matter how,

So he be dead.'"

Thus abruptly ended this hawking expedition on the Cotswolds; for the whole party made off to the manor house to fetch guns, spades, pickaxes, and dogs, as was the custom in those days, when a "lanky, villainous fox" was viewed.

As for Shakespeare, after bidding adieu to the old squire, and thanking him for his hospitality, he mounted his game little Irish hobby and steered his course due northward for Stow-on-the-Wold. His track lay along the old Fossway, a road infested in those days by murderous highwaymen ; yet, unarmed and unattended, unknown and unappreciated, did that mighty man of genius set cheerfully out on his long and solitary way.

[blocks in formation]
[graphic][subsumed][merged small][merged small]

HE ancient town of Cirencester-the Caerceri of the early Britons, the Corinium of the Romans, and the Saxon Cyrencerne-has been a place of importance on the Cotswolds from time immemorial. The abbreviations Cisetre and Cysseter were in use as long ago as the fifteenth century, though some of the natives are now in the habit of calling it Ciren. The correct modern abbreviation is Ciceter.

The place is so rich in Roman antiquities that we must perforce devote a few lines to their consideration. A whole book would not be sufficient to do full justice to them.

No less than four important Roman roads meet within a short distance of Cirencester; and very fine and broad ones they are, generally running as straight as the proverbial arrow.

I. The Irmin Way, between Cricklade and Gloucester, vid Cirencester.

2. Acman Street connects Cirencester with Bath. 3. Icknield Street, running to Oxford.

4. The Fossway, extending far into the north of England. This magnificent road may be said to connect Exeter in the south with Lincoln in the north. It is raised several feet above the natural level of the country, and in many places there still remain traces of the ancient ditch which was dug on either side of its course.

In the year 1849 two very fine tessellated pavements were unearthed in Dyer Street, and removed to a museum which Lord Bathurst built purposely for their reception and preservation. Another fine speciof this kind of work may be seen in its original position at a house called the "Barton" in the park. It is a representation of Orpheus and his lute; and the various animals which he is said to have charmed are wonderfully worked in the coloured pavements. Even as far back as three hundred years ago these beautiful relics were being discovered in this town; for Leland in his " Itinerary," mentions the finding of some tesseræ; unfortunately but few have been preserved.

There are two inscribed stones in this collection which deserve special mention, as they are marvellously well preserved, considering the fact that they are probably eighteen hundred years old. They are

XIII.]

ROMAN REMAINS.

279

about six feet in height and about half that breadth; on each is carved the figure of a mounted soldier, spear in hand. On the ground lies his prostrate foe, pierced by his adversary's spear. Underneath one of these carvings are inscribed the following words :

[blocks in formation]

The meaning of the above words is as follows :—

"Dannicus, a horseman of Indus's Cavalry, of the squadron of Albanus. He had seen sixteen years' service. A citizen of Rauricum. Fulvius Natalis and Fulvius Bitucus have caused this monument to be made in accordance with his will. He is buried here."

The other stone has a somewhat similar inscription. The Romans, who did not use wallpapers, were in the habit of colouring their plaster with various pigments. Some very interesting specimens of wallpainting are preserved at Cirencester, and may be seen in the museum. The most remarkable example of the kind is a piece of coloured plaster, with the following square scratched on its surface:

ROTAS

OPERA

TENET

ARE PO

SATOR

« PreviousContinue »