Eight Tragedies of Shakespeare: A Marxist StudyThe 17th century saw the brief flowering of tragic drama in Western Europe as a whole and in England in particular. This work argues that the artistic expression of the consciousness of change permeated every aspect of life during this period. |
From inside the book
Results 1-3 of 32
Page 12
... earlier , women were beginning to claim a place in rivalry with men . A woman was on the throne for forty - five years . Some women who were not making history were writing it in the early seventeenth century ( see Brant and Purkis ) ...
... earlier , women were beginning to claim a place in rivalry with men . A woman was on the throne for forty - five years . Some women who were not making history were writing it in the early seventeenth century ( see Brant and Purkis ) ...
Page 53
... earlier events have dimmed . A survival of the earlier chronicle - play design has been suspected here ; on the other hand the cutting off of the republicans from Rome dramatically emphasizes the completeness of their defeat in the ...
... earlier events have dimmed . A survival of the earlier chronicle - play design has been suspected here ; on the other hand the cutting off of the republicans from Rome dramatically emphasizes the completeness of their defeat in the ...
Page 186
... earlier writers had made use of the Coriolanus story in anti - popular diatribes ; far more have done so since . The baneful influence of imperialism shows in the readiness of some of them to admire Coriolanus as the Strong Man , a ...
... earlier writers had made use of the Coriolanus story in anti - popular diatribes ; far more have done so since . The baneful influence of imperialism shows in the readiness of some of them to admire Coriolanus as the Strong Man , a ...
Other editions - View all
Common terms and phrases
action Antony appear become better bring Brutus called characters civil Claudius Cleopatra close comes common Coriolanus critic death drama duty early Elizabethan England English Europe fate father feel followed forces friends give Hamlet hand hero honour human Iago individual interest Italy kill kind King King Lear Lady later Lear Lear's learned least leave less living look Macbeth madness mankind meaning mind monarchy moral murder nature never Octavius Othello past play poet political poor ready reason revenge Roman Rome royal rule says scene seems sense Shakespeare share shows side social society speak stage stand suffering talk tells things thought Timon tragedy tragic true turn wants whole wife woman women writer young