Gothic Manners and the Classic English NovelWhat is it that relates Austen and Trollope, Bronte and Dickens to Eliot, James, Hardy and Ford? How do novels like Pride and Prejudice and Barchester Towers and novels like Wuthering Heights and Great Expectations become part of Middlemarch, The Portrait of a Lady, Jude the Obscure and Parade's End? For Joseph Wiesenfarth, the relationships and connections are bound up in what he calls Gothic Manners. His argument is that the salient elements of two genres, that of the novel of manners and that of the new Gothic novel, come together and form a synthesis which accounts, in good part, for the greatness of classical English fiction. |
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Page 153
... novel ) simply tears Jude and Sue to pieces . They are the hostages to a chain of signifiers moving in a labyrinth ... novel a species of romantic psychodrama ( see Kestner , Spatiality 130 ) . Over each of them hovers the specter of ...
... novel ) simply tears Jude and Sue to pieces . They are the hostages to a chain of signifiers moving in a labyrinth ... novel a species of romantic psychodrama ( see Kestner , Spatiality 130 ) . Over each of them hovers the specter of ...
Page 209
... novel " ( Spatiality 121 ) . " Both conclusions intend a physical parting , but with a spiritual unity , between Pip and Estella . Commentators ignore the fact that in the revised conclusion , presumably including all data Pip wished ...
... novel " ( Spatiality 121 ) . " Both conclusions intend a physical parting , but with a spiritual unity , between Pip and Estella . Commentators ignore the fact that in the revised conclusion , presumably including all data Pip wished ...
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accept allows Arabin argued asks Austen Barchester becomes beginning Bertie better calls Casaubon Catherine Cathy chapter character concern Consequently Darcy death desire Dickens Dorothea Elizabeth English Estella exist Expectations father feeling fiction finally finds follows Ford freedom George gives Gothic Gothic novel hand happy Harding Hardy heart Heathcliff heaven hell horror human imagination individual Isabel Italy James Jane Jude judgment justice Ladislaw Lady Linton live look lover manners marriage marry means Middlemarch mind Miss Havisham moral myth never novel once Osmond passion Pip's Portrait presents Pride and Prejudice proposal question Ralph refuses respectability riddle says seeks seems sense shows Slope social society soul stand suggests takes tells things Tietjens tion tradition Trollope truth turns understand University virtues wants wife woman writes Wuthering Heights