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"Shan't he?" said Palethorpe, swallowing the oath which was upon his lips, as though he felt that the object of it was beneath his contempt. "I'll tell you what, young imp, if you don't march off to bed this minute, I'll just take and rough-wash your nose in the horse-pond."

Miss Sowersoft smiled with satisfaction, both at Sammy's wit and at his display of valour.

"Do as you like about that," replied Colin: "I don't care for you, nor anybody like you. I didn't come here to be beaten by you!"

And another burst of tears, arising from vexation at his own helplessness, followed these words.

"You don't care for me, don't you?" savagely demanded Palethorpe. "Come, then, let's try if I can't make you."

He then lifted Colin by the arms from the floor, with the intention of carrying him out. The farm-labourers had hitherto sat by in silence, though with rising feelings of indignation.

"You shan't hurt him any more," cried old George," or else you shall kill me first!"

"Kill you first, you old fool!" contemptuously repeated Palethorpe." Why, if you say another word, I'll double your crooked old back clean up, and throw you and him an' all both into th' brook together!

"Then I'm danged if you do, and that's all about it!" fiercely exclaimed another of the labourers, striking his clenched fist upon his thigh, and throwing the chair on which he sat some feet behind him, in his sudden effort to rise. "If you dare to touch old George," he added, with an oath, "I'll knock you down, if I leave this service to-night for it!"

"Ay,-what you an' all, Abel!" cried Palethorpe, somewhat paler in the cheeks than he was sixty seconds before. "Why, what will you do, lad?

"What will I do?" said Abel, 66 Why, if you don't set that lad loose, you cowardly brute, and sit down in quietness, I'll thump you into a jelly in three minutes! - Dang you! everybody hates you, and I'll tell you so now; for you are the biggest nuisance that ever set foot on a farm. Talk of that old man being idle !-why, what the deuce do you call yourself, you skulking vagabond? You never touch plough nor bill-hook once a-week, nor anything else that's worth a man's putting his hand to. Your business is to abuse everybody under you, and sneak after your missis's tail like a lick'd spaniel.

I wish I was your mester, instead of you being mine, I'd tickle your ears with a two-inch ash plant every morning, but I'd make you do more in a day than you ever did in a week yet!"

A blow from Palethorpe's fist drove all further powers of oratory out of Abel, and caused him to stagger so suddenly backwards, that he would have fallen, had he not caught hold of the

back of one of his comrades' chairs. All were now upon their feet; while Miss Sowersoft, who hitherto had sat petrified at the monstrous discourse of Abel, screamed out that whoever struck Sammy again should go out of the house that night. But as no one interfered farther in the quarrel, on the supposition that he was already pretty well matched, the penalty she had proclaimed amounted to nothing, since it did not deter the only man who at that moment was likely to commit anything so atrocious. Abel had no sooner recovered his balance than he made a furious lunge at the head farming-man, which that hero at tempted, but failed to parry. His antagonist, who, though less in weight, was yet tall and active, followed up his advantage; and, by a judicious and rapid application of his fists, he so far made good his former threat, as to give Miss Sowersoft's favourite two tremendous black eyes, and to plump his nose up to nearly double its original bulk and lustre, within sixty tickings of the clock. Miss Maria had now summoned the maid to her assistance, and between them they succeeded in protecting Sammy from further vengeance. Nor did they find much difficulty in persuading that courageous man to sit down in his chair, and submit to a grand mopping with vinegar and hot water, which commenced as soon as active hostilities ceased, and did not conclude until nearly two hours afterwards.

Long before that time was expired, as no more comfort could be expected by the fireside that night, the rustics had moved quietly off to rest, taking poor Colin along with them, and directing him to occupy one small bed which stood in a room containing two, and informing him at the same time, not much to his satisfaction, that Palethorpe always slept in the other. Old George shook hands with Colin at the door, bidding him good night, and God bless him; and telling him not to care for what had happened, as Heaven would reward his goodness of heart at a time when, perhaps, being old and feeble, he might most want a friend to help him. As the old man said this, his voice failed, and Colin felt a warm tear drop upon his hand as it remained clasped in that of the speaker.

Colin rushed into his room, and in great distress, resulting from the memory of all he had left behind, and the dread of all that might meet him here, he fell on his knees by the bed-side.

That night the voices of two lonely women, praying for the welfare of a still more lonely child, and of a child asking for help in his loneliness, ascended to heaven. Their hearts were comforted.

INDEX

TO THE FIFTH VOLUME.

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Andalucia, Sketches of-No. I. Pilgrimage

to Seville cathedral, 51; No. II. Cor-
doba, 188; No. III. fortress of Alham-
bra, 264; the city of Granada, 270.
Andy Handy, see Handy.
Anecdotes of Military Service-a Visit to
the Turk, 205; capture of the Pasha's
Harem, 207.

Armenians at Venice, 257.

Armin, Robert, the actor, account of him,
106.

Armstrong, Archibald, court-fool, account

of, 107; cause of his banishment, 108.
Asleep among the Flowers, 82. 466.

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Cathedrals at Seville, 51; at Cordoba,
193.

Chelsea Hospital, the Veterans of, 614.
Chillon, description and account of the
chateau of, 30.

Church of the Pilgrims at Rome, descrip-
tion of, 141.

Colin Clink, adventures of, 427. 537.
546.648.

Colosseum at Rome, description of, 134.
Come Back to Me, a song, 389.
Conspiracy, The, see Richelieu.

Convent of the Armenians at Venice,
258.

Cordoba, description of the cathedral at,

193; remarks on the city of, 196. 199;
antiquities in, 197; description of a
newly-married couple at, 199.
Court Fools of England, see Armstrong ;
Summers; Tarlton.

Cremation of Shelley, see Shelley.
Cyprus Wine, a poem from the French of
Beranger, 426.

D.

Dalton, the Odd Fellow by, 210.
Day, an Heroical Ode on the Lord Mayor's
day, 109.

Dead Man's Race, a Christmas Story,

142.

Dining Houses in London, 470.

E.

Elder, A., Tales and Legends of the Isle
of Wight by, 529. 641.
England, account of, in the Olden Time,

98; the court-fools of, 101. 103. 107.
Eternal City, The, or Journey to Rome,

134.

English Ladies, observations on, 385.
Evening Star, verses to the, 209.
Evening Walk, invitation to an, 405.

F.

Father, the, by the author of "The Moun-
tain Decameron," 490.

Fay, Theodore, The Witness Box by,
516.

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Gastronomic survey of the dining-houses
in London, 470.

Gin Palace, inscription for one, 312.
Gleig, Rev. G. R., Veterans of Chelsea
Hospital by, 614.

Golden Legend, No. II.-A Lay of St.
Gengulphus, 289.

Gordon, Lord, remarks respecting him,
382.

Graces, the three literary, 559.

Granada, fortress of Alhambra in, 264;
description of the city of, 270.
Green Mantle, a ballad, 63.
Griskin, Ingleberry, Merrie England in
the Olden Time by, 98.
Guiccioli, Countess, description of, 383.

H.

Handy Andy, further account of his ad-
ventures, 88. 168. 299. 479.
Hearth of Scrivelsby Court, The, 62.
Hoffman, C. F., The Twin-Doomed by,
35.

Hogarth, George, A Spanish Robber by,

524.

Holkham Hall, Visit to, 524.

Holme, Mrs. Torre, translation of lines on
Love by, 187; verses to the Evening
Star, 209; Human Life, 380; verses
to Leonora, 478; sonnet from Petrarch,
501.

Human Life, verses on, 380; a sonnet,
519; stanzas, 536.

Hugo, Victor, The Lost Battle, from the
French of, 506.

I.

Iago-Shakspeare Papers, No. VIII, 53.
Impossibilities, lines on, 97.
Ingoldsby, Thomas, The Golden Legend
by, 289.

Intellect, Legacies of, 632.

Invitation to an Evening Walk, 405.
Isle of Wight, Legends of, 529. 641.

J.

Jack Sheppard-particulars respecting his
early years, 1; denunciation upon
him, 113. 118; details of his appren-
ticeship, 221; his first robbery, 329;
his confinement in St. Giles's Round-
house, 364; discovered in a Flash Ken,

459; his robbery in Willesden church.
461; his escape from the cage at
Willesden, 576; departure from home,
580.

Jenkinson, Olinthus, some passages in
the life of, 627.

Jerdan, W., The Dead Man's Race by,
142; The Bridegroom's Star, 463; the
Legacies of Intellect, 632.

Jim Crow, the original of, 528.
Jocund, Joyce, Twelfth Night Image-ry
by, 108; a Turn Out, but no Strike,
262.

L.

Lament of the Cherokee, a poem, 298.
Lay of St. Gengulphus, No. II. of the
Golden Legend, 289.

Legend, The Golden, 289.
Legends of the Lochs and Glens, No.
I. the Linn of the Caldron, 406.
Leonora, verses to, 478.
Literary Graces, Three, 559.
Locksmith of Philadelphia, 272.
London-a glimpse of, 145; a gastrono-
mic survey of the dining-houses in,
470.

Lord Mayor's Day, an heroical ode,
after Dryden, 109.

Lost Battle, The, a poem, 506.
Louis Philippe, King of the French, re-
marks respecting him, 381.
Love, lines on, 187.

Love is like the Cistus flower, song, 582.
Lover, Samuel, The Son to his Mother
by, 50; Handy Andy, 88. 168. 299.
479; the Sunshine of the Heart, 133.
Lover's Leap, a poem, 288.

M.

M'Dougall, Alexander, Verses to My
Old Coat by, 227.

Mackay, Charles, Song for a Stormy
Night by, 177; Rambles among the
Rivers, 508. 602.

Maclean, Mrs., Verses on her Death, 144.
M. C. M., Come Back to Me, a song, by,
389.

Maginn, Dr., Shakspeare Papers by, 43.
Marie de Villemare, story of, 178.
Medwin, Capt., The Quarantine by, 502.
Memory of the Poets, lines on the, 371.
Merrie England in the Olden Time, 98.
My Old Coat, a poem, 297.

Night Watch, 610.

N.

0.

Odd Fellow, story of the, 210.
Ode on Lord Mayor's Day, 109.
Oliver Twist, or the Parish Boy's Pro-

gress, further particulars respecting the
Jew and his companions, 66. 71; con-
versation between Mr. Brownlow and
Monks respecting him, 81. 152; his
identity proved, 167, 281; adopted by
his benefactor and first friend, 423. 425.
Original Jim Crow, 528.

Orleans, Duke of, his personal appear-
ance, 381.

Out of Sight out of Mind, 312.

P.

Parisian Characteristics, 201.

Patrons, Puffs, and other Matters, thoughts

on, by T. M., 326.

Petrarch, sonnets from, 501.
Philadelphia, Locksmith of, see Locksmith.
Pilgrimage to Seville Cathedral, 51.
Poems-the Son to his Mother, 50;
Twelfth Night Image-ry, 108; Sar-
danapalus, 254; a Turn Out, but no
Strike, 262; Baden Reminiscences,
280; the Lover's Leap, 288; a Poet's
Dream, 296; my Old Coat, 297; La-
ment of the Cherokee, 298; Out of
Sight out of Mind, 312; Richelieu, or
the Conspiracy, 389; the Cremation
of Shelley, 415; Cyprus Wine, 426;
the Lost Battle, 506; the Forest Tree,
523; to the memory of Haynes Bayly,
640; to my Melancholy, 647.
Poets, lines to the memory of, 371.
Poet's Dream, 296.

Positions, Relative, by a Registrar of
Births, Marriages, and Deaths, 204.

Q.

Quarantine, The, 502.

R.

Rambles among the Rivers.-No. I, the
Thames and his Tributaries, 372; No.
II, 508; No. III. 602.
Relative Positions, 204.
Richelieu, or the Conspiracy, a poem,
387.

Robber, account of a Spanish, 520.
Rome, description of the Colosseum at,

134; the studio of Thorwaldsen at,
137; the Misereres sung at the Sistine
chapel, 140; account of the Church of
the Pilgrims at, 141.

S.

Sardanapalus, a poem, 254.
Seville Cathedral, description of, 51.
Shakspeare Papers, No. VIII, Iago, 53.
Sheppard, Jack, see Jack Sheppard.

Sistine chapel at Rome, account of the
Misereres sung there, 140.

Sketches of Andalusia, 51. 188. 264.
270.

Sonnet from Petrarch, 501; a Sonnet,
519.

Son to his Mother, 50.

Songs of Olden Time, 34; of the Flowers,
82. 466; for a Stormy Night, 177; a
Bacchanalian Song, 187; Come Back
to Me, 389; Love is like the Cistus
flower, 582.

Spanish Robber, account of a, 520.
Spring, Address to, 446.

Summers, Will, court-fool to Henry VIII,
character of him, 101.

Sutherland, Duchess of, remarks respect-
ing her, 385.

T.

Talfourd, Serjeant, The Memory of the
Poets by, 371.

Tarlton, Richard, court-fool in the reign
of Queen Elizabeth, his character, 103;
anecdote of him, 104.

Thames and his Tributaries, 372. 508.
Thorwaldsen, the sculptor, visit to his
studio, 137.

Tribute, elegiac, to the memory of Haynes
Bayly, 640.

Tuileries, description of a ball at the,
381.

Turn Out, but no Strike, a poem, 262.
Twelfth Night Image-ry, 108.
Twin-Doomed, story of the, 35.
Twist, Oliver, see Õliver.

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END OF THE FIFTH VOLUME.

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