Modern Painters ...Smith, Elder, and Company, 1856 - Aesthetics |
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Page vi
... any other motive than that of gaining bread , or to give up a fixed number of hours every day to the furtherance of an object unconnected with personal interests . I have , however , given up so much of life to this vi PREFACE .
... any other motive than that of gaining bread , or to give up a fixed number of hours every day to the furtherance of an object unconnected with personal interests . I have , however , given up so much of life to this vi PREFACE .
Page vii
John Ruskin. however , given up so much of life to this object ; ear- nestly desiring to ascertain , and be able to teach , the truth respecting art ; and also knowing that this truth was , by time and labour , definitely ascertainable ...
John Ruskin. however , given up so much of life to this object ; ear- nestly desiring to ascertain , and be able to teach , the truth respecting art ; and also knowing that this truth was , by time and labour , definitely ascertainable ...
Page 4
... objects are represented naturally when they have such relief that they seem real . It may appear strange , perhaps , to hear this sense of the rule disputed ; but it must be considered , that , if the excellency of a painter consisted ...
... objects are represented naturally when they have such relief that they seem real . It may appear strange , perhaps , to hear this sense of the rule disputed ; but it must be considered , that , if the excellency of a painter consisted ...
Page 6
... objects such relief that they seem real , and that he then speaks of this art of realistic imitation as corresponding to history in literature . Reynolds , therefore , seems to class these dull works of the Dutch School under a general ...
... objects such relief that they seem real , and that he then speaks of this art of realistic imitation as corresponding to history in literature . Reynolds , therefore , seems to class these dull works of the Dutch School under a general ...
Page 19
... objects of his art , speaks in the following terms of painting , supposed to be carried to its highest perfection : - 66 ' Qual di pennel fu maestro , e di stile Che ritraesse l ' ombre , e i tratti , ch ' ivi Mirar farieno uno ingegno ...
... objects of his art , speaks in the following terms of painting , supposed to be carried to its highest perfection : - 66 ' Qual di pennel fu maestro , e di stile Che ritraesse l ' ombre , e i tratti , ch ' ivi Mirar farieno uno ingegno ...
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Common terms and phrases
Albert Durer Apennine Aristophanes artists beauty believe blue chapter character Claude clouds colour Correggio Dante Dante's dark delicate delight divine drawing effect emotion endeavour engraving evil expression exquisite fact fallacy false farther feeling finish flowers give grass Greek grey griffin grotesque ground heart high art hills Homer human idea ideal ideal art imagination imitation infinite instance instinct kind landscape less light Lombardic look Malebolge Masaccio matter means medieval merely mind modern Molière mountain nature never noble observe painter painting passion pathetic fallacy Paul Veronese perfect persons picture Plate pleasure poet poetical poetry possible Pre-Raphaelite present principles Purgatory racter reader represented respecting rocks scene scenery Scott seems seen sense shadow simple speak spirit Stones of Venice suppose sweet things thought tion Titian trees true truth Turner vulgar whole word Wordsworth
Popular passages
Page 100 - And the word of the Lord came unto me the second time, saying, What seest thou ? And I said, I see a seething pot; and the face thereof is toward the north. Then the Lord said unto me, Out of the north an evil shall break forth upon all the inhabitants of the land.
Page 292 - Upon whose grassless floor of red-brown hue, By sheddings from the pining umbrage tinged Perennially — beneath whose sable roof Of boughs, as if for festal purpose decked With unrejoicing berries — ghostly Shapes May meet at noontide; Fear and trembling Hope, Silence and Foresight; Death the Skeleton And Time the Shadow...
Page 54 - Simon Peter saith unto them, I go a fishing. They say unto him, We also go with thee. They went forth, and entered into a ship immediately; and that night they caught nothing.
Page 292 - But worthier still of note Are those fraternal Four of Borrowdale, Joined in one solemn and capacious grove ; Huge trunks! and each particular trunk a growth Of intertwisted fibres serpentine Up-coiling, and inveterately convolved; Nor uninformed with Phantasy, and looks That threaten the profane...
Page 163 - There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky.
Page 173 - O come and hear him ! Thou who hast to me Been faithless, hear him, though a lowly creature, One of God's simple children that yet know not The universal Parent, how he sings. As if he wished the firmament of heaven Should listen, and give back to him the voice Of his triumphant constancy and love ; The proclamation that he makes, how far His darkness doth transcend our fickle light...
Page 174 - There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, " She is near, she is near;" And the white rose weeps, " She is late;" The larkspur listens, " I hear, I hear;" And the lily whispers,
Page 171 - For ye shall go out with joy, and be led forth with peace: the mountains and the hills shall break forth before you into singing, and all the trees of the field shall clap their hands.
Page 282 - When sated with the martial show That peopled all the plain below, The wandering eye could o'er it go, And mark the distant city glow With gloomy splendour red ; For on the smoke-wreaths, huge and slow, That round her sable turrets flow, The morning beams were shed, And tinged them with a lustre proud, Like that which streaks a thunder-cloud. Such dusky grandeur clothed the height, Where the huge Castle holds its state, And all the...
Page 12 - tis falsely said That there was ever intercourse Between the living and the dead; For, surely, then I should have sight Of him I wait for day and night, With love and longings infinite.