Ancestor Masks and Aristocratic Power in Roman Culture

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Clarendon Press, 1996 - Art - 411 pages
In the first comprehensive study of Roman ancestor masks in English, Harriet Flower explains the reasons behind the use of wax masks in the commemoration of politically prominent family members by the elite society of Rome. Flower traces the functional evolution of ancestor masks, from their first attested appearance in the third century BC to their last mention in the sixth century AD, through the examination of literary sources in both prose and verse, legal texts, epigraphy, archaeology, numismatics, and art. It is by putting these masks, which were worn by actors at the funerals of the deceased, into their legal, social, and political context that Flower is able to elucidate their central position in the media of the time and their special meaning as symbols of power and prestige.

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Contents

Introduction
1
32
7
Mina
22
Was There
53
The Definition of an Imago
59
The Pompa Funebris
91
The Funeral Procession
97
The Relationship between Funerals and other
107
Imagines in the Atrium
185
Augustus
223
Imperial Funerals under Tiberius
246
Conclusion
254
Conclusions
270
Appendices
281
E Trees of the Caecilii Metelli Cornelii Scipiones
353
Index of Persons
393

Imagines and Theatrical Masks
114
The Evolution of Aristocratic Funerals during
122
Elogia and Tituli
159

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About the author (1996)

Harriet I. Flower is at Franklin and Marshall College, Lancaster, Pennsylvania.

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