Shakespearean Tragedy and the Common Law: The Art of PunishmentShakespearean Tragedy and the Common Law examines punishment in Shakespeare's tragedies from the perspective of English Renaissance common law cases and theory. William Shakespeare's work is grounded conceptually in the «artificial» reason of common law as embodied by the great jurist of the age, Sir Edward Coke. Coke's legal rationale is sufficiently distinct from our own to suggest that a reasonable spectator in Renaissance England would interpret key elements of Shakespeare's art differently than we do today. Punishment, the sine qua non of these plays, is treated via a spectrum of legal theories: retribution, restitution, deterrence, and reform. Dr. Hawley's close examination of all ten plays and some fifty cases reveals how law, art, and philosophy shape Shakespeare's tragic vision. |
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Page 20
... play's tripartite scheme of tragic complicity . Othello is a contradiction in being a perpetrator and a victim , the ultimate sacrifice in the re- tributive bias of the tragic world . Iago is a perpetrator and catalytic agent in the play's ...
... play's tripartite scheme of tragic complicity . Othello is a contradiction in being a perpetrator and a victim , the ultimate sacrifice in the re- tributive bias of the tragic world . Iago is a perpetrator and catalytic agent in the play's ...
Page 52
... play a greater role in the action : Felo de se is a man , or woman , which being compos mentis , of sound memory , and ... play's tragic resolution . That Shakespeare placed so much dramatic weight on so slight a character is but another ...
... play a greater role in the action : Felo de se is a man , or woman , which being compos mentis , of sound memory , and ... play's tragic resolution . That Shakespeare placed so much dramatic weight on so slight a character is but another ...
Page 131
... play's end . Bentham regards all people , even ascetics , as directing their efforts toward pleasure ; thus , were he to critique the play , he would note that Timon's malice involves a pursuit of his pleasure : " There is no such thing ...
... play's end . Bentham regards all people , even ascetics , as directing their efforts toward pleasure ; thus , were he to critique the play , he would note that Timon's malice involves a pursuit of his pleasure : " There is no such thing ...
Contents
Introduction | 1 |
Complicity and Tragic Retribution | 11 |
Macbeth and the Reasonableness Standard in Law | 23 |
Copyright | |
12 other sections not shown
Common terms and phrases
accusers action Antony appear audience becomes body Caesar calls cause characters charge civil claim Cleopatra Coke Coke's committed common law complicated concerning contract Coriolanus corporation court crime criminal critics Croke death defendant effect element Eliz England English English common law evidence exists finds force give given guilty Hamlet Hegel hero human Institutes intent interest involved issue Judges justice Kant kill king king's land Lear letter London lovers Macbeth madness matter means mens mental metaphysical military moral murder nature Othello play play's political position present principle punishment question reason refers regards relationship remains remarks Renaissance Reports requires response restitution retribution revenge role Roman Rome Romeo rule seems sense Shakespeare slander social society stage standard statutes suggests theatrical theory Timon tion Titus tragedy tragic treat trial understanding vols witnesses