The Works of Shakespeare: The merchant of Venice ; As you like it ; The taming of the shrew ; All's well that ends wellJ. M. Dent & Company, 1899 - Rare book genre terms |
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... Exeunt Salarino and Salanio . Lor . My Lord Bassanio , since you have found Antonio , We two will leave you : but , at dinner - time , I pray you , have in mind where we must meet . Bass . I will not fail you . Gra . You look not well ...
... Exeunt Salarino and Salanio . Lor . My Lord Bassanio , since you have found Antonio , We two will leave you : but , at dinner - time , I pray you , have in mind where we must meet . Bass . I will not fail you . Gra . You look not well ...
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... Exeunt Gratiano and Lorenzo . Ant . Is that any thing now ? Bass . Gratiano speaks an infinite deal of nothing , more than any man in all Venice . His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all ...
... Exeunt Gratiano and Lorenzo . Ant . Is that any thing now ? Bass . Gratiano speaks an infinite deal of nothing , more than any man in all Venice . His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all ...
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... Exeunt . Bass . For the which , as I told you , Antonio shall be bound . Shy . Antonio shall become bound ; well . Bass . May you stead me ? will you pleasure me ? shall I know your answer ? Shy . Three thousand ducats for three months ...
... Exeunt . Bass . For the which , as I told you , Antonio shall be bound . Shy . Antonio shall become bound ; well . Bass . May you stead me ? will you pleasure me ? shall I know your answer ? Shy . Three thousand ducats for three months ...
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... Exeunt . ACT SECOND . Belmont . Flourish of cornets . Scene I. A room in Portia's house . Enter the Prince of Morocco and his train ; Portia , Nerissa , and others attending . Mor . Mislike me not for my complexion , The shadow'd livery ...
... Exeunt . ACT SECOND . Belmont . Flourish of cornets . Scene I. A room in Portia's house . Enter the Prince of Morocco and his train ; Portia , Nerissa , and others attending . Mor . Mislike me not for my complexion , The shadow'd livery ...
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... exeunt . Scene I. Venice . A street . Enter Launcelot . Laun . Certainly my conscience will run from this Jew my master . ་ serve me to The fiend is JO at mine elbow , and tempts me , saying to me , ' Gobbo , Launcelot Gobbo , good ...
... exeunt . Scene I. Venice . A street . Enter Launcelot . Laun . Certainly my conscience will run from this Jew my master . ་ serve me to The fiend is JO at mine elbow , and tempts me , saying to me , ' Gobbo , Launcelot Gobbo , good ...
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Common terms and phrases
Antonio Baptista Bass Bassanio Bertram better Bian Bianca Bion Biondello Count daughter doth ducats Duke Enter Exeunt Exit eyes fair father Folios fool Forest of Arden fortune Ganymede gentle gentleman give Gratiano Gremio Grumio hast hath hear heart heaven honour Hortensio husband Induct Jaques Jessica Kate Kath Katharina King knave lady Laun Launcelot live look Lord Lorenzo Lucentio madam maid marry master Merchant of Venice mistress Narbon Nerissa never Orlando Padua Parolles Petruchio Pisa play Portia pray prithee Quarto ring Rosalind Rousillon Salan Salar Scene Shakespeare Shrew Shylock Signior Sirrah speak swear sweet Tale of Gamelyn tell thee There's thou art Touch Tranio unto Venice Vincentio wife word young ΙΟ