King Richard III

achieved acting action actors appears approach attempt audience authority awareness Barton become Buckingham Burbage Burbage's character Cibber's Clarence classic closely concern contemporary critics cuts death designed director display earlier Edward effects Elizabethan example expressed feel final force Garrick give Hall Henry Howell human important interest interpretation Jane John kind King Lady Anne later least less lines London Margaret match meaning medieval modern moral mother murder nature notes observes Olivier Olivier's opening original perceive performance perhaps personality physical play play's political precedents presented production prove psychology Queen Queen Elizabeth remains result reviewers rhetoric Richard Richard III Richmond role scene script seduction seems seen sense Shakes Shakespeare Shakespearian shared Sher Sher's shows soliloquy speech spirit stage stress structure style success suggest surely talents television tetralogy theatre theatrical throughout tion tradition true understanding whole York