Demi-devils: The Character of Shakespeare's Villains |
From inside the book
Results 1-3 of 11
Page 41
... person Iago ( or any other complex Shakespearean character ) was like before the play opens . We know that Iago was an experienced soldier , trusted by Othello and others . His critical traits may account , in some measure , for that ...
... person Iago ( or any other complex Shakespearean character ) was like before the play opens . We know that Iago was an experienced soldier , trusted by Othello and others . His critical traits may account , in some measure , for that ...
Page 80
... person all the qualities which a persecuting majority commonly attributed to its victims . For four years Marlowe's Jew had held the stage and , during the excitement aroused by the trial of Lopez , between May and December , 1594 , his ...
... person all the qualities which a persecuting majority commonly attributed to its victims . For four years Marlowe's Jew had held the stage and , during the excitement aroused by the trial of Lopez , between May and December , 1594 , his ...
Page 99
... person to react normally to an abnormal situation , is himself made to seem abnormal.10 But some critics , Levin ... persons in the course of the drama . " Schücking applies this principle to Claudius and finds a problem in his ...
... person to react normally to an abnormal situation , is himself made to seem abnormal.10 But some critics , Levin ... persons in the course of the drama . " Schücking applies this principle to Claudius and finds a problem in his ...
Contents
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Copyright | |
2 other sections not shown
Other editions - View all
Common terms and phrases
Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife