Demi-devils: The Character of Shakespeare's Villains |
From inside the book
Results 1-3 of 16
Page 47
... means . Tradition represents Rich- ard as deformed . It seems clear that he had some physical defect , though not so great as has been alleged . Extant por- traits show an intellectual face characteristic of the early Renaissance , but ...
... means . Tradition represents Rich- ard as deformed . It seems clear that he had some physical defect , though not so great as has been alleged . Extant por- traits show an intellectual face characteristic of the early Renaissance , but ...
Page 85
... means , warmed and cooled by the same winter and summer as a Christian is ? If you prick us , do we not bleed ? If you tickle us , do we not laugh ? If you poison us , do we not die ? And if you wrong us , shall we not revenge ? If we ...
... means , warmed and cooled by the same winter and summer as a Christian is ? If you prick us , do we not bleed ? If you tickle us , do we not laugh ? If you poison us , do we not die ? And if you wrong us , shall we not revenge ? If we ...
Page 101
... means for explaining cer- tain elements of the plot to the audience . It is not true , as Schücking maintains , " that the action could not dispense with the prayer scene , inasmuch as it is the only means of giving the spectator the ...
... means for explaining cer- tain elements of the plot to the audience . It is not true , as Schücking maintains , " that the action could not dispense with the prayer scene , inasmuch as it is the only means of giving the spectator the ...
Contents
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Copyright | |
2 other sections not shown
Other editions - View all
Common terms and phrases
Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife