Demi-devils: The Character of Shakespeare's Villains |
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Page 38
... kind , Will do as if for surety ( I : iii : 392-396 ) , they would think of it as the kind of suspicion that could easily rise in the mind of one already disposed toward ill will . Critics , of course , have pointed out that Iago's ...
... kind , Will do as if for surety ( I : iii : 392-396 ) , they would think of it as the kind of suspicion that could easily rise in the mind of one already disposed toward ill will . Critics , of course , have pointed out that Iago's ...
Page 71
... kind of character in thy life That to th'observer doth thy history Fully unfold . Thyself and thy belongings Are not thine own so proper as to waste Thyself upon thy virtues , they on thee . Heaven doth with us as we with torches do ...
... kind of character in thy life That to th'observer doth thy history Fully unfold . Thyself and thy belongings Are not thine own so proper as to waste Thyself upon thy virtues , they on thee . Heaven doth with us as we with torches do ...
Page 101
... kind of remorse that we find in Edmund , remorse in- troduced for no other purpose than to advance the plot . With Claudius , remorse occurs as occasions in the play re- mind him of the blackness of his villainy . Claudius ' thinking is ...
... kind of remorse that we find in Edmund , remorse in- troduced for no other purpose than to advance the plot . With Claudius , remorse occurs as occasions in the play re- mind him of the blackness of his villainy . Claudius ' thinking is ...
Contents
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Copyright | |
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Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife