Demi-devils: The Character of Shakespeare's Villains |
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Page 7
... interest . I have also consulted works published prior to 1957 that were not included in my original bibliography . Although this reading has made me look upon my own contribution with increased humility , I still believe there is a ...
... interest . I have also consulted works published prior to 1957 that were not included in my original bibliography . Although this reading has made me look upon my own contribution with increased humility , I still believe there is a ...
Page 58
... interest of the story is so engrossing , the events so rapid and so appalling , the accessories so sublimely conceived and so skillfully com- bined , that it is difficult to detach Lady Macbeth from the dramatic situation , or consider ...
... interest of the story is so engrossing , the events so rapid and so appalling , the accessories so sublimely conceived and so skillfully com- bined , that it is difficult to detach Lady Macbeth from the dramatic situation , or consider ...
Page 103
... interest and succeeds in claiming our understanding , if not our sympathy , because Shakespeare has made effective use of an important element in realistic characterization , the element of identity between spectator and character ...
... interest and succeeds in claiming our understanding , if not our sympathy , because Shakespeare has made effective use of an important element in realistic characterization , the element of identity between spectator and character ...
Contents
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Copyright | |
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Common terms and phrases
Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife