Demi-devils: The Character of Shakespeare's Villains |
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Page 23
... characterization and in determining what bearing characterization has on the total effect of his plays . In addition to the three pairs of villains listed above , I shall discuss Edmund , Regan , Goneril , and Claudius . I group these ...
... characterization and in determining what bearing characterization has on the total effect of his plays . In addition to the three pairs of villains listed above , I shall discuss Edmund , Regan , Goneril , and Claudius . I group these ...
Page 50
... characterization ; and I doubt whether an audience would obect to it . Professor Stoll , however , objects to this self - analysis on Richard's part as un- realistic : " A queer creature , this , to have the gift of seeing him- self as ...
... characterization ; and I doubt whether an audience would obect to it . Professor Stoll , however , objects to this self - analysis on Richard's part as un- realistic : " A queer creature , this , to have the gift of seeing him- self as ...
Page 87
... characterization tends to increase the effectiveness of a drama , but one should realize that there is a point beyond which intri- cate and detailed characterization may become a detriment . For example , in a play where emphasis is ...
... characterization tends to increase the effectiveness of a drama , but one should realize that there is a point beyond which intri- cate and detailed characterization may become a detriment . For example , in a play where emphasis is ...
Contents
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Copyright | |
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Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife