Demi-devils: The Character of Shakespeare's Villains |
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Page 15
... century that adverse criticism began to give way to more sympathetic attitudes . Tracing the phases of eight- eenth century criticism in The Genesis of Shakespeare Idolatry , Robert W. Babcock writes : During the earlier period , from ...
... century that adverse criticism began to give way to more sympathetic attitudes . Tracing the phases of eight- eenth century criticism in The Genesis of Shakespeare Idolatry , Robert W. Babcock writes : During the earlier period , from ...
Page 17
... century critics seem to be qualifying their praise , they usually do so paradoxically , as in Lamb's equivocal remark ( reasserted in the present century by Logan P. Smith ) , 10 that " the plays of Shakspeare are less calculated for ...
... century critics seem to be qualifying their praise , they usually do so paradoxically , as in Lamb's equivocal remark ( reasserted in the present century by Logan P. Smith ) , 10 that " the plays of Shakspeare are less calculated for ...
Page 19
... century historical critics have rejected nineteenth century interpretations of Shakespeare's characters may be seen by examining some of the conventions that apply specifically to villains . 1 ) We are told that , by Eliza- bethan ...
... century historical critics have rejected nineteenth century interpretations of Shakespeare's characters may be seen by examining some of the conventions that apply specifically to villains . 1 ) We are told that , by Eliza- bethan ...
Contents
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Copyright | |
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Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife