Demi-devils: The Character of Shakespeare's Villains |
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Page 7
... believe there is a place for a basic treatment of Shakespeare's villains . For this reason I have attempted to improve upon my first essay . Like its predecessor , this book is directed at the general student of Shakespeare's plays ...
... believe there is a place for a basic treatment of Shakespeare's villains . For this reason I have attempted to improve upon my first essay . Like its predecessor , this book is directed at the general student of Shakespeare's plays ...
Page 89
... believe Lear's two older daughters , the ex- ample of his towering rage toward Cordelia and Kent with which the play opens is something that the girls have suffered under before . Goneril says , " The best and soundest of his time hath ...
... believe Lear's two older daughters , the ex- ample of his towering rage toward Cordelia and Kent with which the play opens is something that the girls have suffered under before . Goneril says , " The best and soundest of his time hath ...
Page 110
... believe that all his characters were formed to fit the prevailing pattern . We know that he ignored classical conventions and violated the unities ; we also know that in some of his earlier plays , notably Titus Andronicus , where he ...
... believe that all his characters were formed to fit the prevailing pattern . We know that he ignored classical conventions and violated the unities ; we also know that in some of his earlier plays , notably Titus Andronicus , where he ...
Contents
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Copyright | |
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Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife