Demi-devils: The Character of Shakespeare's Villains |
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Page 18
... action , not character . Stoll's implication here is that nineteenth century critics , with their interest in personal- ities , lost sight of the function of drama as a whole and placed undue emphasis on character . Stoll's argument was ...
... action , not character . Stoll's implication here is that nineteenth century critics , with their interest in personal- ities , lost sight of the function of drama as a whole and placed undue emphasis on character . Stoll's argument was ...
Page 44
... action That may offend the isle . ( II : iii : 50-63 ) As Iago had anticipated , Cassio becomes heated and ... action is that it does not raise the problem of harmony between plot and character that generally confronts the dramatist ...
... action That may offend the isle . ( II : iii : 50-63 ) As Iago had anticipated , Cassio becomes heated and ... action is that it does not raise the problem of harmony between plot and character that generally confronts the dramatist ...
Page 101
... action could not dispense with the prayer scene , inasmuch as it is the only means of giving the spectator the final confirmation , which is urgently required , that the events related by the ghost have actually taken place in the ...
... action could not dispense with the prayer scene , inasmuch as it is the only means of giving the spectator the final confirmation , which is urgently required , that the events related by the ghost have actually taken place in the ...
Contents
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Copyright | |
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Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife