Demi-devils: The Character of Shakespeare's Villains |
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Page 93
... Edmund's bastardy . He also states that Edmund's bastardy has been a source of embarrassment to the father . We may infer that the illegitimate son has suffered mental anguish from the realization and reminder of his status . According ...
... Edmund's bastardy . He also states that Edmund's bastardy has been a source of embarrassment to the father . We may infer that the illegitimate son has suffered mental anguish from the realization and reminder of his status . According ...
Page 94
... Edmund stands in the background and hears nothing until he is called forward ( ' Do you know this noble gentleman , Edmund ? ' ) to be introduced to ' my Lord of Kent ' " Although Kittredge's interpretation of the stage business is ...
... Edmund stands in the background and hears nothing until he is called forward ( ' Do you know this noble gentleman , Edmund ? ' ) to be introduced to ' my Lord of Kent ' " Although Kittredge's interpretation of the stage business is ...
Page 95
... Edmund feels toward Edgar , who is destined to inherit all their father's possessions . Edmund also has some traces of the liveliness that characterizes villains like Richard III and Iago . In his wit and vivaciousness we see how the ...
... Edmund feels toward Edgar , who is destined to inherit all their father's possessions . Edmund also has some traces of the liveliness that characterizes villains like Richard III and Iago . In his wit and vivaciousness we see how the ...
Contents
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Copyright | |
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Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife