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Aaron and Iago
Richard III Macbeth and Lady Macbeth
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius conceived consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain extent fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest Isabella justice kind king Lady Macbeth later Lear less lifelike lives look means Measure mind motivation murder nature never once opening Othello pardon passage person play plot powers praise present probably problem psychological question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus tragedy true trying understandable University villains whole wife writes