Merchant of Venice. As you like it. All's well that ends well. Taming of the shrew. Winter's taleC. and J. Rivington, 1826 - Theater |
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Page 6
... SCENE , partly at VENICE , and partly at BELMONT , the seat of PORTIA , on the Continent . In the old editions in quarto , for J. Roberts , 1600 , and in the old folio , 1623 , there is no enumeration of the persons . It was first made ...
... SCENE , partly at VENICE , and partly at BELMONT , the seat of PORTIA , on the Continent . In the old editions in quarto , for J. Roberts , 1600 , and in the old folio , 1623 , there is no enumeration of the persons . It was first made ...
Page 9
... : but , at dinner time , I pray you , have in mind where we must meet . Bass . I will not fail you . Gra . You look not well , signior Antonio ; You have too much respect upon the world : They SCENE I. 9 MERCHANT OF VENICE .
... : but , at dinner time , I pray you , have in mind where we must meet . Bass . I will not fail you . Gra . You look not well , signior Antonio ; You have too much respect upon the world : They SCENE I. 9 MERCHANT OF VENICE .
Page 13
... SCENE II . Belmont . A Room in Portia's House . Enter PORTIA and NERISSA . Por . By my troth , Nerissa , my little body is aweary of this great world . Ner . You would be , sweet madam ... SCENE II . MERCHANT OF VENICE . 13 SCENE II. ...
... SCENE II . Belmont . A Room in Portia's House . Enter PORTIA and NERISSA . Por . By my troth , Nerissa , my little body is aweary of this great world . Ner . You would be , sweet madam ... SCENE II . MERCHANT OF VENICE . 13 SCENE II. ...
Page 17
... SCENE III . Venice . A publick Place . Enter BASSANIO and SHYLOCK . Shy . Three thousand ducats , —well . Bass . Ay , sir , for three months . Shy . For three months , ―well . Bass . For the which , as I told you , Antonio shall be ...
... SCENE III . Venice . A publick Place . Enter BASSANIO and SHYLOCK . Shy . Three thousand ducats , —well . Bass . Ay , sir , for three months . Shy . For three months , ―well . Bass . For the which , as I told you , Antonio shall be ...
Page 23
... SCENE I. Belmont . A Room in Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attend- ants . Mor . Mislike me not for my complexion , The shadow'd livery of the ...
... SCENE I. Belmont . A Room in Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attend- ants . Mor . Mislike me not for my complexion , The shadow'd livery of the ...
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Common terms and phrases
Antigonus Antonio AUTOLYCUS Baptista Bass Bassanio BERTRAM Bianca Bion BIONDELLO Camillo CLEOMENES Count court daughter doth ducats Duke Enter Exeunt Exit eyes fair father fear fool forest of Arden fortune gentle gentleman give Gremio hand hath hear heart heaven Hermione honest honour Hortensio i'the JOHNSON Kate Kath KATHARINA King knave lady Laun Launcelot Leon look lord Lucentio madam maid MALONE marry master means mistress musick Narbon Nerissa never Orlando Padua Petruchio Pisa play Polixenes poor pr'ythee pray queen ring Rosalind Rousillon Salan SCENE Servant Shakspeare Shep Shylock Sicilia signior Sirrah speak STEEVENS swear sweet tell thee There's thine thing thou art Touch Tranio unto Vincentio wife Winter's Tale word young