An Essay on the Genius and Writings of Pope ... |
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Page vii
In the third class may be placed men of wit , of elegant taste , and lively fancy in
describing familiar life , though not the higher scenes of poetry . Here may be
numbered , Butler , Swift , Rochester , Donne , DORSET , OLDHAM . In the fourth
...
In the third class may be placed men of wit , of elegant taste , and lively fancy in
describing familiar life , though not the higher scenes of poetry . Here may be
numbered , Butler , Swift , Rochester , Donne , DORSET , OLDHAM . In the fourth
...
Page 4
... imaginary scenes of a golden age . A mixture of British and Grecian ideas may
justly be deemed a blemish in the PASTORALS of . POPE : and propriety is
certainly violated , when he couples Pactolus with Thames , and Windsor with
Hybla .
... imaginary scenes of a golden age . A mixture of British and Grecian ideas may
justly be deemed a blemish in the PASTORALS of . POPE : and propriety is
certainly violated , when he couples Pactolus with Thames , and Windsor with
Hybla .
Page 5
But on this principle , which is certainly a just one , may it not be asked , why he
should speak , the scene lying in Windsor - Forest , of the sultry Sirius , ỹ of the
GRATEFUL CLUSTERs of grapes , | | of a pipe of reeds , f the antique fistula , of ...
But on this principle , which is certainly a just one , may it not be asked , why he
should speak , the scene lying in Windsor - Forest , of the sultry Sirius , ỹ of the
GRATEFUL CLUSTERs of grapes , | | of a pipe of reeds , f the antique fistula , of ...
Page 6
That Pope , however , was sensible of the importance of adapting images to the
scene of action , is obvious from the following example of his judgment ; for , in
translating , Audiit EUROTAS , jussitque ediscere LAUROS , he has dexterously ...
That Pope , however , was sensible of the importance of adapting images to the
scene of action , is obvious from the following example of his judgment ; for , in
translating , Audiit EUROTAS , jussitque ediscere LAUROS , he has dexterously ...
Page 16
The scene is closed by a most awful speech of God himself , menacing a
perpetual extirpation to the king of Babylon , to his descendants , and to his city ;
and confirming the immutability of his counsels , by the ratification of a solemn
oath .
The scene is closed by a most awful speech of God himself , menacing a
perpetual extirpation to the king of Babylon , to his descendants , and to his city ;
and confirming the immutability of his counsels , by the ratification of a solemn
oath .
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Addison admirable affected ancient appear beautiful Boileau called Cant celebrated character circumstances composition Corneille critic death Dryden elegant epistle equal Essay excellent expressed eyes French frequently genius give given grace hand head Homer idea images imagination imitated instance introduced Italy kind king language lately learned letters lines lively Lost manner mean mentioned merit Milton mind nature never objects observed occasion once opinion original painted particularly passage passion perhaps person picture piece pleasing poem poet poetical poetry Pope present produced proper Racine reader remarkable represented rules satire says scene seems sentiments speaks species spirit story strokes strong sublime taken taste thing thought tion tragedy translated true turn verses Virgil whole writer written
Popular passages
Page 145 - The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar...
Page 224 - Be kind and courteous to this gentleman ; Hop in his walks, and gambol in his eyes ; Feed him with apricocks and dewberries, -. With purple grapes, green figs, and mulberries. The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs, And light them at the fiery glow-worm's eyes...
Page 134 - Alps we try, Mount o'er the vales, and seem to tread the sky, Th' eternal snows appear already past, And the first clouds and mountains seem the last: But, those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes.
Page 7 - Lycidas ? For neither were ye playing on the steep, Where your old Bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wisard stream : Ay me ! I fondly dream ! Had ye been there...
Page 315 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Page 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Page 390 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze, with bossy sculptures graven •, The roof was fretted gold.
Page 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
Page 130 - From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without passing thro' the judgment, gains The heart, and all its end at once attains.
Page 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.