An Essay on the Genius and Writings of Pope ... |
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Page 9
... characters of its two shepherds are well supported , and happily contrasted ;
and the last las expressively painted the changeful resolutions , the wild wishes ,
the passionate and abrupt exclamations , of a disappointed and despairing lover
.
... characters of its two shepherds are well supported , and happily contrasted ;
and the last las expressively painted the changeful resolutions , the wild wishes ,
the passionate and abrupt exclamations , of a disappointed and despairing lover
.
Page 35
It may be observed in general , that description of the external beauties of nature ,
is usually the first effort of a young genius , before he hath studied manners and
passions . Some of Milton ' s most early , as well as most exquisite pieces , are ...
It may be observed in general , that description of the external beauties of nature ,
is usually the first effort of a young genius , before he hath studied manners and
passions . Some of Milton ' s most early , as well as most exquisite pieces , are ...
Page 37
... the succeeding circumstances make one stárt , and look around ; In : : ; ' . . D 3 .
In consecrated earth , And on the holy hearth ,. * See also verses written at a
Solemn Music , and on the Passion , in the same volume ; and a vacation
exercise ...
... the succeeding circumstances make one stárt , and look around ; In : : ; ' . . D 3 .
In consecrated earth , And on the holy hearth ,. * See also verses written at a
Solemn Music , and on the Passion , in the same volume ; and a vacation
exercise ...
Page 51
We have there also preserved another , and an earlier ode , of Dryden on this
sub . ject ; one stanza of which I cannot forbear inserting in this note . It was set to
music , 1687 , by I . Baptista Draghi . What passion cannot music raise and quell !
We have there also preserved another , and an earlier ode , of Dryden on this
sub . ject ; one stanza of which I cannot forbear inserting in this note . It was set to
music , 1687 , by I . Baptista Draghi . What passion cannot music raise and quell !
Page 52
The beginning of the second stanza , on the power which music exerts over the
passions , is a little flat , and by no means equal to the conclusion of that stanza .
The animating song that Orpheus * sung to the Argonauts , copied from Valerius
...
The beginning of the second stanza , on the power which music exerts over the
passions , is a little flat , and by no means equal to the conclusion of that stanza .
The animating song that Orpheus * sung to the Argonauts , copied from Valerius
...
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Addison admirable affected ancient appear beautiful Boileau called Cant celebrated character circumstances composition Corneille critic death Dryden elegant epistle equal Essay excellent expressed eyes French frequently genius give given grace hand head Homer idea images imagination imitated instance introduced Italy kind king language lately learned letters lines lively Lost manner mean mentioned merit Milton mind nature never objects observed occasion once opinion original painted particularly passage passion perhaps person picture piece pleasing poem poet poetical poetry Pope present produced proper Racine reader remarkable represented rules satire says scene seems sentiments speaks species spirit story strokes strong sublime taken taste thing thought tion tragedy translated true turn verses Virgil whole writer written
Popular passages
Page 145 - The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar...
Page 224 - Be kind and courteous to this gentleman ; Hop in his walks, and gambol in his eyes ; Feed him with apricocks and dewberries, -. With purple grapes, green figs, and mulberries. The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs, And light them at the fiery glow-worm's eyes...
Page 134 - Alps we try, Mount o'er the vales, and seem to tread the sky, Th' eternal snows appear already past, And the first clouds and mountains seem the last: But, those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes.
Page 7 - Lycidas ? For neither were ye playing on the steep, Where your old Bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wisard stream : Ay me ! I fondly dream ! Had ye been there...
Page 315 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Page 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Page 390 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze, with bossy sculptures graven •, The roof was fretted gold.
Page 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
Page 130 - From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without passing thro' the judgment, gains The heart, and all its end at once attains.
Page 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.