An Essay on the Genius and Writings of Pope ... |
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Page 63
This particularly is the case of the English , whose original is Teutonic , and which
, therefore , is not so musical as the Italian , the Spanish , or even the French , as
not having so great a quantity of words derived from the Latin . But the Latin ...
This particularly is the case of the English , whose original is Teutonic , and which
, therefore , is not so musical as the Italian , the Spanish , or even the French , as
not having so great a quantity of words derived from the Latin . But the Latin ...
Page 66
The name of Malherbe is respectable , as he was the first reformer of the French
poesy , and the first who gave his countrymen any idea of a legitimate ode ;
though his own pieces have hardly any thing but harmony to recommend them .
The name of Malherbe is respectable , as he was the first reformer of the French
poesy , and the first who gave his countrymen any idea of a legitimate ode ;
though his own pieces have hardly any thing but harmony to recommend them .
Page 68
Pindaric variety to the numbers , that is wanting not only to the best French and
Italian , but even to the best Latin odes . In the pieces here commended , the
figures are strong , and the transitions bold , and there is a just mixture of
sentiment ...
Pindaric variety to the numbers , that is wanting not only to the best French and
Italian , but even to the best Latin odes . In the pieces here commended , the
figures are strong , and the transitions bold , and there is a just mixture of
sentiment ...
Page 95
The verses of the ancients , which this poet hath turned into French with so much
address , and which he hath happily made so homogeneous , and of a piece with
the rest of the work , that every thing seems to have been conceived in a ...
The verses of the ancients , which this poet hath turned into French with so much
address , and which he hath happily made so homogeneous , and of a piece with
the rest of the work , that every thing seems to have been conceived in a ...
Page 100
find many admirable and acute judgments of men and books , and an intimate
acquaintance not only with some of the best Greek and Roman , particularly the
latter , but the most celebrated of the French and Italian classics . CS Du Bos *
fixes ...
find many admirable and acute judgments of men and books , and an intimate
acquaintance not only with some of the best Greek and Roman , particularly the
latter , but the most celebrated of the French and Italian classics . CS Du Bos *
fixes ...
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Common terms and phrases
Addison admirable affected ancient appear beautiful Boileau called Cant celebrated character circumstances composition Corneille critic death Dryden elegant epistle equal Essay excellent expressed eyes French frequently genius give given grace hand head Homer idea images imagination imitated instance introduced Italy kind king language lately learned letters lines lively Lost manner mean mentioned merit Milton mind nature never objects observed occasion once opinion original painted particularly passage passion perhaps person picture piece pleasing poem poet poetical poetry Pope present produced proper Racine reader remarkable represented rules satire says scene seems sentiments speaks species spirit story strokes strong sublime taken taste thing thought tion tragedy translated true turn verses Virgil whole writer written
Popular passages
Page 145 - The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar...
Page 224 - Be kind and courteous to this gentleman ; Hop in his walks, and gambol in his eyes ; Feed him with apricocks and dewberries, -. With purple grapes, green figs, and mulberries. The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs, And light them at the fiery glow-worm's eyes...
Page 134 - Alps we try, Mount o'er the vales, and seem to tread the sky, Th' eternal snows appear already past, And the first clouds and mountains seem the last: But, those attain'd, we tremble to survey The growing labours of the lengthen'd way, Th' increasing prospect tires our wand'ring eyes.
Page 7 - Lycidas ? For neither were ye playing on the steep, Where your old Bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wisard stream : Ay me ! I fondly dream ! Had ye been there...
Page 315 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Page 220 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face ; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown ; And Betty's prais'd for labours not her own. CANTO II. NOT with more glories, in th...
Page 390 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze, with bossy sculptures graven •, The roof was fretted gold.
Page 223 - On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
Page 130 - From vulgar bounds with brave disorder part, And snatch a grace beyond the reach of art, Which without passing thro' the judgment, gains The heart, and all its end at once attains.
Page 148 - Poets that lasting marble seek Must carve in Latin or in Greek, We write in sand, our language grows, And like the tide our work o'erflows.