The Cambridge Handbook of Copyright in Street Art and Graffiti

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Enrico Bonadio
Cambridge University Press, Nov 7, 2019 - Law
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In recent years, the number of conflicts related to the misuse of street art and graffiti has been on the rise around the world. Some cases involve claims of misappropriation related to corporate advertising campaigns, while others entail the destruction or 'surgical' removal of street art from the walls on which they were created. In this work, Enrico Bonadio brings together a group of experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. Chapter authors shed light not only on the legal tools available in thirteen key jurisdictions for street and graffiti artists to object to unauthorized exploitations and unwanted treatments of their works, but also offer policy and sociological insights designed to spur further debate on whether and to what extent the street art and graffiti subcultures can benefit from copyright and moral rights protection.
 

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Contents

List of Figures
Susan Hansen
Creativity in the Street Between
Creative Practices Amid
Copyright

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About the author (2019)

Enrico Bonadio is Senior Lecturer in Intellectual Property Law at City, University of London and Visiting Professor in IP Law at Université Catholique de Lyon as well as visiting lecturer at the LLMs in Intellectual Property offered by the World Intellectual Property Organization in Turin and Ankara. His current research focuses on copyright protection of unconventional forms of expression, including graffiti and street art. He is the co-editor of Non-Conventional Copyright: Do New and Non-Traditional Works Deserve Protection? (2018) and Beyond Plain Packaging: The New Intellectual Property of Health (2016).

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