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of William Scott of Harden, and James Wemys in Eekford, all accused of the same crime, is declared to be forfeited. On the same day, Walter Scott of Synton, and Walter Chisholme of Chisholme, and William 'Scott of Harden, became bound, jointly and severally, that Sir Peter Cranstoun, and his kindred and servants, should receive no injury from them in future. At the same time,-Patrick Murray of Fallohill, Alexander Stuart, uncle to the laird of Trakwhare, John Murray of Newhall, John Fairlye, residing in Selkirk, George Tait, younger of Pirn, John Pennycuke of Pennycuke, James Ramsay of Cokpen, the laird of Fassyde, and the laird of Henderstoune, were all severally fined for not attending as jurors. Upon the 20th of July following, Scott of Synton, Chisholme of Chisholme, Scott of Harden, Scott of Howpaslie, Scott of Burnfute, with many others, are ordered to appear at next calling, under the pains of treason. But no farther procedure seems to have taken place. It is said, that; upon this rising, the kirk of St Mary was burned by the Scotts.

NOTES

ON

CANTO III.

When, dancing in the sunny beam,

He marked the crane on the Baron's crest.—St. IV. p. 75, The crest of the Cranstouns, in allusion to their name, is a crane dormant, holding a stone in his foot, with an emphatic Border motto, Thou shall want ere I want.

Much he marvelled a knight of pride,

Like a book-bosomed priest should ride.—St. Vm. p. 78. "At Unthank, two miles N. E. from the church (of Ewes), there are the ruins of a chapel for divine service, in time of popery. There is a tradition, that friars were wont to come from Melrose, or Jedburgh, to baptize and marry in this parish; and, from being in use to carry the mass-book in their bosoms, they were called, by the inhabitants, Book a-bosomes.

There is a man yet alive, who knew old men that had been baptized by these Book-a-bosomes, and who says one of them, called Hair, used this parish for a very long time."—Account of Parish of Ewes, apud Macfarlane's MSS.

It had much of glamour might.—St. IX. p. 79. Glamour, in the legends of Scottish superstition, means the magic power of imposing on the eye-sight of the spectators, so that the appearance of an object shall be totally different from the reality. To such a charm the ballad of Johnny Fa' imputes the fascination of the lovely Countess, who eloped with that gypsey leader:

Sae soon as they saw her weel far'd face,
They cast the glamour o*er her.

It was formerly used even in war. In 1381, when the Duke of Anjou lay before a strong castle, upon the coast of Naples, a necromancer offered to "make the ayre so thycke, that they within shal thynke that there is a great bridge on the see (by which the castle was surrounded), for ten men to go a front; and whan they within the castell se this bridge, they will be so afrayde, that they shall yelde them to your mercy. The Duke demanded—Fayre Master, on this bridge that ye speke of, may our people assuredly go thereon to the castell to assayle it? Syr, quod the enchantour, I dare not assure you that; for if any that passeth on the bridge make the signe

of the crosse on hym, all shall go to noughte, and they that be on the bridge shall fall into the see. Then the Duke began to laugh; and a certain of yong knightes, that were there present, said, Syr, for godsake, let the mayster essay his cunning; we shal leve making of any signe of the crosse on us for that tyme." The Earl of Savoy, shortly after, entered the tent, and recognized, in the enchanter, the same person who had put the castle into the power of Sir Charles de la Payx, who then held it, by persuading the garrison of the Queen of Naples, through magical deception, that the sea was coming over the walls. -The sage avowed the feat, and added, that he was the man in the world most dreaded by Sir Charles de la Payx. * By my fayth, quod the Erl of Savoy, ye say well; and I will that Syr Charles de la Payx shall know that he hath gret wronge to fear you. But I shall assure him of you; for ye shall never do enchauntment to deceyre hym, nor yet none other. I wolde nat that in tyme to come we shulde be reproached that in so hygh an enterprise as we be in, wherein there be so many noble knyghtes and squyers assembled, that we shulde do any thyng be enchauntment, nor that we shulde wyn our enemyes by suche crafte. Than he called to hym a servaunt, and sayd, go and get a hangman, and let him stryke of this mayster's heed without delay; and as sone the Erle had comtnaunded it, incontynent it was done, for his heed was stryken of before the Erie's tent."—Fkoissart, Vol. I. ch. 391, 392.

The art of glamour, or other fascination, was anciently a principal part of the skill of the jongleur, or juggler, whose tricks formed much of the amusement of a Gothic castle. Some instances of this art may be found in the Minstrelsy of the Scottish Border, Vol. III. p. 119. In a strange allegorical poem, called the Houlet, written by a dependant of the house of Douglas about 1452-3, the jay, in an assembly of birds, plays the part of the juggler. His feats of glamour are thus described:

He gart them see, as it semyt, in samyn houre,

Hunting at herdis in holtis so hair;
Soune sailand on the see schippis of toure,
Bernis batalland on burd brim as a bare;
He could carye the coup of the kingis des,
Syne leve in the stede,
Bot a black bunwede;
He could of a henis hede,
Make a man mes.

He gait the Emproure trow, and trewlye behald,

That the corncraih, the pundarc at hand,
Had poyndit all his pris hors in a poynd fald,
Because thai ete of the corn in the kirkland.
He could wirk windaris, quhat way that he wald;

Mak a gray gus a gold garland,
A lang spere of a bittile lor a berne bald,
Nobillis of nutschelles, and silver of sand.
Thusjoukit with juxters the janglane ja,
Fair ladyes in ringis,
Knychtis in caralyngis,
Bayth dansis and singis,
It semyt as sa.

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