: That lived, that loved, that liked, that look'd with cheer. Come, tears, confound; 300 Out, sword, and wound The pap of Pyramus ; Ay, that left pap, Where heart doth hop: [Stabs himself. Thus die I, thus, thus, thus. Now am I dead, Now am I fled ; Tongue, lose thy light; [Dios. Dem. No die, but an ace, for him ; for he is but one. Lys. Less than an ace, man ; for he is dead ; he is nothing. The. With the help of a surgeon he might yet recover, and prove an ass. Hip. How chance Moonshine is gone before Thisbe comes back and finds her lover? The. She will find him by starlight. Here she comes ; and her passion ends the play. 321 Re-enter THISBE. Hip. Methinks she should not use a long one for such a Pyramus : I hope she will be brief.. Dem. A mote will turn the balance, which Pyramus, which Thisbe, is the better; he for a man, God warrant us ; she for a woman, God bless us. Lys. She latl: spiel him already with those sweet eyes. Dem. And thus she means, videlicet : 330 This. Asleep, my love ? What, dead, my dove? Speak, speak. Quite dumb? Dead, dead ? A tomb These lily lips, This cherry nose, 310 O Sisters Three, Come, come to me, Lay them in gore, With shears his thread of silk. Tongue, not a word : 350 Come, blade, my breast imbrue : [Stabs herself. And, farewell, friends; Thus Thisbe ends : [Dica The. Moonshine and Lion are left to bury the dead. Dem. Ay, and Wall too. Bit. [Springing up] No, I assure you ; the wall is down that parted their fathers. Will it please you to see the epilogue, or to hear a Bergomask dance between two of our company ? 361 The. No epilogue, I pray you ; for your play needs no excuse. Never excuse ; for when the players are all dead, there need none to be blamed. Marry, if he that writ it had played Pyramus and hanged himself in Thisbe's garter, it would have been a fine tragedy : and so it is, truly ; and very notably discharged. But, come, your Bergomask : let your epilogue alone. [4 dance. The iron tongue of liath told twelve : 370 Lovers, to bed ; 'is almost fairy time. I fear we shall out-sleep the coming morn As much as we this night lave overwatch'd. This palpable-gross play hath well beguiled The heavy gait of night. Sweet friends, to bed. A fortnight hold we this solemnity, In nightly revels and new jullity. [E.reunt. Enter Puck. Puck. Now the hungry lion roars, And the wolf belowls the moon ; 380 Whilst the screech-owl, screeching loud, In remembrance of a shroud. That the graves all gaping wide, In the chur-b-way paths to glide : 390 Following darkness like a dream, Now are frolic : not a mouse Enter OBERON and TITANIA with their train. By the dead and drowsy fire : 400 Sing, and dance it trippingly. To each word a warbling note : Will we sing, and bless this place. [Song and dance. Obe. Now, until the break of day, Through this house each fairy stray. 410 420 [Exeunt Oberon, Titania, and train. Puck. If we shadows have offended, 430 440 And, as I am an honest Puck, [Exit. THE MERCHANT OF VENICE. DRAMATIS PERSONÆ. The DUKE OF VENICE. LAUNCELOT GOBBO, The PRINCE OF MOROCCO, suitors the clown, servant to Shylock. to The PRINCE OF ARRAGON, Portia. LEONARDO, servant to Bassanio. OLD GOBBO, father to Launcelot. ANTONIO, a merchant of Venice. BALTHASAR, servants to Portia. BASSANIO, his friend, suitor like. STEPHANO, wise to Portia. SALANIO, Portia, a rich heiress. SALARINO, ( friends to Antonio Nerissa, her waiting-maid. GRATIANO, and Bassanio. JESSICA, daughter to Shylock. SALERIO, Magnificoes of Venice, Officers of LORENZO, in love with Jessica. the Court of Justice, Gaoler, SHYLOCK, a rich Jew. Servants to Portia, and other TUBAL, his friend. Attendants. SCENE: Partly at Venice, and partly at Belmont, the seat of Portia, on the Continent. Enter ANTONIO, SALARINO and SALANIO. Salar. Your mind is tossing on the ocean ; Salan. Believe me, sir, had I such venture forth, ( 465 ) 10 |