Indian Country: Essays on Contemporary Native Culture

Front Cover
Wilfrid Laurier Univ. Press, Apr 22, 2005 - History - 293 pages

Since first contact, Natives and newcomers have been involved in an increasingly complex struggle over power and identity. Modern “Indian wars” are fought over land and treaty rights, artistic appropriation, and academic analysis, while Native communities struggle among themselves over membership, money, and cultural meaning. In cultural and political arenas across North America, Natives enact and newcomers protest issues of traditionalism, sovereignty, and self-determination. In these struggles over domination and resistance, over different ideologies and Indian identities, neither Natives nor other North Americans recognize the significance of being rooted together in history and culture, or how representations of “Indianness” set them in opposition to each other.

In Indian Country: Essays on Contemporary Native Culture, Gail Guthrie Valaskakis uses a cultural studies approach to offer a unique perspective on Native political struggle and cultural conflict in both Canada and the United States. She reflects on treaty rights and traditionalism, media warriors, Indian princesses, powwow, museums, art, and nationhood. According to Valaskakis, Native and non-Native people construct both who they are and their relations with each other in narratives that circulate through art, anthropological method, cultural appropriation, and Native reappropriation. For Native peoples and Others, untangling the past—personal, political, and cultural—can help to make sense of current struggles over power and identity that define the Native experience today.

Grounded in theory and threaded with Native voices and evocative descriptions of “Indian” experience (including the author’s), the essays interweave historical and political process, personal narrative, and cultural critique. This book is an important contribution to Native studies that will appeal to anyone interested in First Nations’ experience and popular culture.

From inside the book

Contents

Approaching Indian Country
1
Traditionalism and Treaty Rights
9
Media Memories and Oka
35
Indians and Artifacts
67
Claiming Land in Native America
89
Images and Native Women
125
Pow Wow and Being Indian
151
Researching Indian Objects
175
Being Indian and Belonging
211
All My Relations
255
REFERENCES
259
INDEX
283
Copyright

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Page 240 - The answer of course is that an Indian is an idea which a given man has of himself. And it is a moral idea, for it accounts for the way in which he reacts to other men and to the world in general. And that idea, in order to be realized completely, has to be expressed.
Page 109 - I will tell you something about stories, [he said] They aren't just entertainment. Don't be fooled. They are all we have, you see, all we have to fight off illness and death You don't have anything if you don't have stories.
Page 104 - The American Indian is of the soil, whether it be the region of forests, plains, pueblos, or mesas. He fits into the landscape, for the hand that fashioned the continent also fashioned the man for his surroundings.
Page 118 - After an interval of silence, during which the chieftain quietly smoked his pipe, he at last arose, and shaking hands with the British commandant, he answered as follows: — "Englishman! you ask me who I am. If you wish to know, you must seek me in the clouds. I am a bird who rises from the earth, and flies far up, into the skies, out of human sight; but though not visible to the eye, my voice is heard from afar, and resounds over the earth!
Page 97 - Occident) but also of a whole series of 'interests' which, by such means as scholarly discovery, philological reconstruction, psychological analysis, landscape and sociological description, it not only creates but also maintains; it is, rather than expresses, a certain will or intention to understand, in some cases to control, manipulate, even to incorporate, what is a manifestly different (or alternative and novel) world...
Page 240 - Cultural identities are the points of identification, the unstable points of identification or suture, which are made, within the discourses of history and culture. Not an essence but a positioning. Hence, there is always a politics of identity, a politics of position, which has no absolute guarantee in an unproblematic, transcendental 'law of origin'.
Page 123 - A WORD HAS POWER IN AND OF ITSELF. IT COMES FROM NOTHING INTO SOUND AND MEANING; IT GIVES ORIGIN TO ALL THINGS. BY MEANS OF WORDS CAN A MAN DEAL WITH THE WORLD ON EQUAL TERMS. AND THE WORD IS SACRED.
Page 146 - A nation is not conquered until the hearts of its women are on the ground.
Page 14 - The privilege of hunting, fishing, and gathering the wild rice, upon the lands, the rivers and the lakes included in the territory ceded, is guarantied to the Indians, during the pleasure of the President of the United States.
Page 80 - Remembering is never a quiet act of introspection or retrospection. It is a painful re-membering, a putting together of the dismembered past to make sense of the trauma of the present.

About the author (2005)

Gail Guthrie Valaskakis was Distinguished Professor Emerita of Concordia University in Montreal and the director of research at the Aboriginal Healing Foundation in Ottawa. She was a founding member of the boards of Waseskun Healing Lodge, the Montreal Native Friendship Centre, the Native North American Studies Institute, and Manitou Community College and served on numerous boards dealing with issues involving women, First Nations, race, and culture. Her background is Chippewa and she was raised on the Lac du Flambeau reservation in Wisconsin. In 2002, she received a National Aboriginal Achievement Award for her contributions to Aboriginal media and communications. Her writing on the development and impact of northern and Native communications and on issues of Aboriginal cultural studies is widely published.