The Oxford Shakespeare: The History of King LearThe Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - a new, modern-spelling text, based on the Quarto text of 1608 - on-page commentary and notes explain meaning, staging, allusions and much else - detailed introduction considers composition, sources, performances and changing critical attitudes to the play - illustrated with production photographs and related art - includes 'The Ballad of King Lear' and related offshoots - full index to introduction and commentary - durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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Page 7
... reason for this departure from the series principle is quite simply that while editors have generally preferred the Folio text as a basis for their editions , and while many excellent anno- tated editions have been prepared in this way ...
... reason for this departure from the series principle is quite simply that while editors have generally preferred the Folio text as a basis for their editions , and while many excellent anno- tated editions have been prepared in this way ...
Page 8
William Shakespeare Stanley Wells. Another , more pressing reason for choosing the Quarto is that it does not simply represent the play before it was acted , but must for several years have served as the basis for performances given be ...
William Shakespeare Stanley Wells. Another , more pressing reason for choosing the Quarto is that it does not simply represent the play before it was acted , but must for several years have served as the basis for performances given be ...
Page 10
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Page 11
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Page 15
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Contents
Textual Introduction and Editorial Procedures | 81 |
The Ballad of King Lear | 277 |
Alterations to Lineation | 293 |
Common terms and phrases
actors Albany Antony Sher ballad bastard BLAYNEY Burgundy Cambridge CAPELL cited Cordelia Cornwall criticism daughters death dost Dover Duke Duke of Albany Duke of Cornwall Earl of Gloucester edition Edmund emendation Enter Edgar Enter the Earl Exeunt Exit eyes father fiend Foakes Folio follow Fool France GENTLEMAN give Gloucester's Gonoril HalioQ and Weis Harsnet hath heart i'th Kent King Lear knave lady Lear's Leir letter line Q lord madam mean Muir nature night OED's first instance Oswald OXFORD conj performance play's poor printed production prose Q proverbial Dent Quarto Queen Cordelia reading recorded Regan reprinted retains Q's scene seems sense servants Shake Shakespeare sisters speak stage storm Stratford-upon-Avon suggests sword theatre theatrical thee THEOBALD thou Tom o'Bedlam Tragedies trumpet verse vols W. W. Greg Weis accept word ΙΟ