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MUSICAL
MAGAZINE AND REVIEW.
VOL. III.
LONDON:
SOLD BY BALDWIN, CRADOCK, AND JOY,
47, PATERNOSter-row.
HARVARD COLLEGE LIBRARY
FROM
THE BEQUEST OF EVERT JANSEN WENDELL 1918
Burks and Kinnebrook,
Printers, Norwich.
VI. On the Acquirement of a Perfect Taste in Music
VII. On the Construction of Duets for Voices
VIII. M. S. Work of Francesco Bianchi
IX. Miss Stephens ...
X. City Concerts
PAGE
1
15
19
21
24
34
36
46
58
65
XI. An Address to the Philharmonic Society, on the following sub-
jects:-1. On Musical Education.-2. On the general state
of Musical Taste and Knowledge in this Country.-3. On the
Study of Music in Score.-4. On a Work now in the course of
Publication, entitled Vocal Sonatinas, &c. and on a system of
Education connected with that Publication; to which is pre-
fixed a Proem, explanatory of the Address. By T. D. Worgan,
Professor of Music. London. Wilson.
XII. An Apology for a Publication entitled Vocal Sonatinas
XIII. One Duet and Six Ballads, with an Accompaniment for the
Piano Forte; composed by Wesley Doyle, Esq. London. For
the Author. By the Royal Harmonic Institution.
XIV. Twelve Lessons and Two Airs, with Variations for the Harp;
composed for young Scholars, by C. N. Bochsa. London.
Chappell and Co.
........
1. Fourteen progressive Lessons and Preludes for the Harp; com-
posed by F. C. Meyer. London. For the Regent's Har-
monic Institution.
....
XV. Mozart's Masses, with an Accompaniment for the Organ, ar-
ranged from the full score, by Vincent Novello, Organist to the
Portuguese Embassy, in London. London. Galloway.
XVI. Sonata for the Piano Forte, with an Accompaniment for the
Violin or Flute (ad libitum); composed by J. B. Cramer.
London. By the Royal Harmonic Institution.
... 105
XVII. Duo, for the Piano Forte and Violin, by Fred. Kalkbrenner,
(Op. 49) London. Clementi and Co. Chappell and Co.
XVIII. In Two Volumes, a Selection of single and double Chants, with
with Kyrie Eleesons, Sanctuses, Ancient and Modern, in Score,
performed at the principal Choirs in the United Kingdons; the
whole collected and arranged with a separate Accompaniment,
for the Organ or Piano Forte, with a figured Bass; by John -
Clarke, Mus. Doc. Cambridge. London. Birchall and Co. 107
ii
ART.
Mitchell.
XIX. A Cantata, for Two Voices, with Chorusses and a full Band;
the Words taken from Milton's Paradise Lost; composed by
Pio Cianchettini. London. For the Author.
XX. Les Plaisirs du Printemps, Rondo for the Piano Forte; com-
London. Rutter and M'Arthy.
posed by M. C. Wilson.
1. Introduction and Rondo for the Piano Forte; composed by M.
C. Wilson. London. Rutter and M'Arthy.
2. Air, with Variations, for the Piano Forte; composed by M. C.
Wilson. (Op. 17.) London. By the Royal Institution.
3. Swiss Air, with Variations, for the Piano Forte; composed by
P. Knapton. London. Chappell and Co.
4. Introduction and Polonoise, for the Piano Forte; composed by
T. Haigh. London. Clementi and Co.
XXI. Duet, for two Performers on the Piano Forte, on the favourite
French Air, Au clair de la lune; composed by T. Latour,
Pianiste to his Majesty. London. Chappell and Co.
1. Divertimento, for two Performers on one Piano Forte, with an
Accompaniment for the Flute, (ad. lib.); composed by T.
Skarratt. London. Clementi and Co.
2. A Duet, for two Performers on the Piano Forte; adapted from
Rossini's Opera of Il Barbiere di Siviglia, by W. Watts.
London. Birchall and Co.
3. Di Tanti Palpiti; arranged for two Performers on the Piano
Forte, by W. Bennett. London. Power.
XXII. The Groves of Pomona, a grand Scena, sung by Mr. Braham, at
the Loudon Concerts. The Words from Thomson's Seasons,
the Music composed by Master Barnett. London. Clementi
and Co.
XXIII. Operatic Airs, Nos. 3, 4, and 5. London. Goulding and Co.
Clementi and Co. Chappell and Co.
108
110
112
113
114
XXIV. The Mountain Cot, a Glee for three Voices; by W. Richards. London. Power.
1, Three Times Three, a convivial Glee for Three Voices, with
Chorus; the Words by W. F. Collard, the Music by Sir J.
Stevenson, Mus. Doc. London. Clementi and Co.
XXV. Forget me not, tho' thus we part; composed by George Goss.
London. Phillips and Mayhew.
......
1. Because it looks like You; by Dr. Jay. London. Phillips
and Mayhew.
2. The Shrine of Love; by Dr. Jay. London. Phillips and
Mayhew.
3. The Snow on Beds of Roses; by Leoni Lee. London. Phil-
lips and Mayhew.
4. Every hour I lov'd Thee more; by J. Blewitt: London.
Power.
5. When Love was fresh from his Cradle Bed. London. Power.
6. If Ye a Highland Laddie meet; by Leoni Lee. London.
Phillips and Mayhew.
7. The Maid with a love-beaming Eye; by J. Emdin, Esq. Lon-
don. Phillips and Mayhew.
XXVI. I love Thee dearly; by His Grace the Duke of Marlborough.
London. Chappell and Co.
115
116
AKT.
1. Oh! wear for Me this blooming Rose; by his Grace the Duke
of Marlborough. London. Chappell and Co.
2. Him who sighs for Thee; by J. Endin, London. For the
Author. Phillips and Mayhew.
3. If e'er Compassion shelter found; by G. Lanza. London.
4. Inform Me, O delicious Kiss; by G. Nicks. London. Cle-
menti and Co.
5. 'Tis vain to deck thy Brow with Pearls; by Joseph de Pinna.
London. For the Author. Clementi and Co.
6. The parting look She gave; by Walter Turnbull,
London.
.... 117
XXVII. Oh! Woods of Green Erin; by Wesley Doyle, Esq. London.
1. Oh! if those Eyes deceive me not; by Sir John Stevenson,
Mus. Doc. London. Power.
2. The high-born Soul, Recit, ed aria; by George Perry, of Nor-
wich. London. Phillips and Mayhew.
... 119
3. Thou white-rolling Sea; by Wm. Horsley, Mus. Bac. Oxon.
London. By the Royal Institution.
XXVIII. A Musical Vade Mecum, being a compendious Introduction to
the whole art of Music. Part 1, containing the principles of
notation, the gamut or great scale, intervals, diatonic, chroma-
tic, and enharmonic scales, keys, and their modes, transposi-
tions, &c. by W. Keith. London. Keith.
120
XXIX. Grand Musical Festival, Birmingham.
121