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The Merchant of Venice
Much Ado about Nothing
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accept aggression allows ambivalence Angelo anger Antonio appears Arden attempt bars Beatrice and Benedick becomes begins Bertram better bring brother campus Center characters Claudio College comedies critics death deny dining dorms Duke effect expect fails father fear feel figure Friar friends give guilt Hall hear Helena Hero human ideal indicates instance interest Isabella justice lady leave less live look lovers manipulation means Measure Measure for Measure nature never Night object offers Olivia once Orlando Orsino Pedro perfect Perhaps person play Portia positive possible present problem reality reason refers relation reparation response ring Room Rosalind says scene seems sense sexual Shakespeare Shylock simply situation someone suggests Syracuse things tion tone tries trust turns University unlike viewers wish