Memoirs of Robert William Elliston, Comedian ...: 1774-1810, Volume 1John Mortimer, 1844 - 438 pages |
From inside the book
Results 1-5 of 83
Page i
... ONCE EMBODIED SPIRITS . " Charles Lamb " Shade of Elliston . " 1774 TO 1810 . BY GEORGE RAYMOND , ESQ . UNIV . OF CALIFORNIA WITH Illustrations by George Cruikshank . LONDON : JOHN MORTIMER , ADELAIDE STREET , TRAFALGAR SQUARE . 1 909 ...
... ONCE EMBODIED SPIRITS . " Charles Lamb " Shade of Elliston . " 1774 TO 1810 . BY GEORGE RAYMOND , ESQ . UNIV . OF CALIFORNIA WITH Illustrations by George Cruikshank . LONDON : JOHN MORTIMER , ADELAIDE STREET , TRAFALGAR SQUARE . 1 909 ...
Page xi
... once secured to it universal attention ; while they , whose fancy might induce them to travel into the detail of theatrical matters , have had ample opportunity for the excursion , in the four agreeable volumes of Mathews ' Memoirs ...
... once secured to it universal attention ; while they , whose fancy might induce them to travel into the detail of theatrical matters , have had ample opportunity for the excursion , in the four agreeable volumes of Mathews ' Memoirs ...
Page xxiii
... once to the first dis- tinction in the art of acting . It was this success which induced the queen to grant him permission to be included in the licence , which , ( as observed ) so ruffled the temper of Doggett , that he retired ...
... once to the first dis- tinction in the art of acting . It was this success which induced the queen to grant him permission to be included in the licence , which , ( as observed ) so ruffled the temper of Doggett , that he retired ...
Page 8
... once open to his art . His works are multiplied into ten thousand copies , and all are originals , but the painter and the sculptor give but one , which can only be witnessed by a few . " Authors after their deaths , " says Mr. Hazlitt ...
... once open to his art . His works are multiplied into ten thousand copies , and all are originals , but the painter and the sculptor give but one , which can only be witnessed by a few . " Authors after their deaths , " says Mr. Hazlitt ...
Page 15
... once contracted , has no remedy but to run its course . In the upper part of a pastry - cook's house , in the Strand , near Bedford Street , resided a Madame Cotterille , who conducted an " Evening Academy " on the first floor - a lady ...
... once contracted , has no remedy but to run its course . In the upper part of a pastry - cook's house , in the Strand , near Bedford Street , resided a Madame Cotterille , who conducted an " Evening Academy " on the first floor - a lady ...
Other editions - View all
Common terms and phrases
actor adventure amongst appeared applause audience Bath believe benefit Blissett called character Charles Charles Kemble Cibber Colman comedian comedy commenced course Covent Garden Covent Garden Theatre Cussans dear delight Dimond drama Drury Lane Theatre Ellis ELLISTON ACTS engagement exclaimed eyes fact fame fancy favour favourite fortune Garrick gentleman Gore Hamlet happy Haymarket Theatre heard hero honour Iron Chest Kemble king lady Lady Hamilton late letter London look Lord Harcourt Macbeth Majesty manager Mathews ment Miss Flemming Miss Rundall morning never night notice observed occasion Octavian once party performance Philaster piece play poor present racter received rendered repeated replied respect Robert Elliston Robert William Robert William Elliston royal scarcely scene season Shepton Mallet Sheridan Sheva shew Sims spirit stage Stilton cheese success Tate Wilkinson theatrical tion took uncle Weymouth whilst whole wife Windsor words young
Popular passages
Page 150 - Swifter than the moon's sphere ; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see ; Those be rubies, fairy favours, In those freckles live their savours. I must go seek some dewdrops here, And...
Page 309 - Next Anger rush'd, his eyes on fire, In lightnings own'd his secret stings, In one rude clash he struck the lyre, And swept with hurried hand the strings.
Page 217 - This was the light into which Betterton threw this scene, which he opened with a pause of mute amazement ; then rising slowly to a solemn, trembling voice, he made the ghost equally terrible to the spectator as to himself...
Page xix - Aspect threw out such a Glow of Health and Chearfulness, that, on the Stage, few Spectators that were not past it could behold her without Desire. It was even a Fashion among the Gay and Young to have a Taste or Tendre for Mrs. Bracegirdle.
Page xx - Great Jonson did by strength of judgment please ; Yet, doubling Fletcher's force, he wants his ease. In differing talents both adorn'd their age ; One for the study, t'other for the stage.
Page 7 - Amphytrion" to the stage, I heard him give it his first reading to the actors, in which, though it is true he delivered the plain sense of every period, yet the whole was in so cold, so flat, and unaffecting a manner, that I am afraid of not being believed when I affirm it.
Page 5 - Twas only that when he was off he was acting. With no reason on earth to go out of his way, He turn'd and he varied full ten times a day...
Page 58 - Yes, clocks will go as they are set. But Man, Irregular Man's ne'er constant, never certain: I've spent at least three precious hours of darkness In waiting dull attendance; 'tis the curse Of diligent virtue to be mixed like mine, With giddy tempers, souls but half resolved.
Page 223 - Heaven knows I have too many ! Do not mock me: Though I am tame, and bred up with my wrongs, Which are my foster-brothers, I may leap, Like a hand-wolf, into my natural wildness, And do an outrage.
Page 6 - It has sometimes been objected to the theatrical artist, that he merely repeats the language and embodies the conceptions of the poet. But the allegation, though specious, is unfounded. It has been completely established, by a great and genial critic of our own time, that the deeper beauties of poetry cannot be shaped forth by the actor,* and it is equally true, that the poet has little share in the highest triumphs of the performer.