Memoirs of Robert William Elliston, Comedian ...: 1774-1810, Volume 1John Mortimer, 1844 - 438 pages |
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Page xxii
... became so pre - eminently distin- guished . When Addison carried this celebrated tragedy to the green - room , he was of course expected to read it to the actors ; but being a man of great diffidence , he requested Cibber to undertake ...
... became so pre - eminently distin- guished . When Addison carried this celebrated tragedy to the green - room , he was of course expected to read it to the actors ; but being a man of great diffidence , he requested Cibber to undertake ...
Page xxv
... became so enamoured of dra- matic affairs , that Booth , who was now desirous of retiring , applied to him to become a purchaser of his share also . Highmore bought half of this , xxvi INTRODUCTION . and in less than a twelvemonth he.
... became so enamoured of dra- matic affairs , that Booth , who was now desirous of retiring , applied to him to become a purchaser of his share also . Highmore bought half of this , xxvi INTRODUCTION . and in less than a twelvemonth he.
Page xxvi
... became a holder of one moiety of Drury Lane Theatre . Previous to this bargain and sale , Cibber had ap- pointed his son Theophilus his locum tenens , in the management , and a more troublesome colleague poor Highmore could not have had ...
... became a holder of one moiety of Drury Lane Theatre . Previous to this bargain and sale , Cibber had ap- pointed his son Theophilus his locum tenens , in the management , and a more troublesome colleague poor Highmore could not have had ...
Page xxvii
... to induce Garrick , who had been acting at Covent Garden , to join him , which was accordingly effected , and that great actor became a partner in the property . xxviii INTRODUCTION . Garrick took the stage management , and.
... to induce Garrick , who had been acting at Covent Garden , to join him , which was accordingly effected , and that great actor became a partner in the property . xxviii INTRODUCTION . Garrick took the stage management , and.
Page xxix
... became a powerful auxiliary . From this period to 1774 , Drury Lane was highly in public favour . The plays of Shakspeare , Jonson , Otway , Rowe , Cibber , Steele , Addison , and Congreve , were in turn repre- sented with flattering ...
... became a powerful auxiliary . From this period to 1774 , Drury Lane was highly in public favour . The plays of Shakspeare , Jonson , Otway , Rowe , Cibber , Steele , Addison , and Congreve , were in turn repre- sented with flattering ...
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actor adventure amongst appeared applause audience Bath believe benefit Blissett called character Charles Charles Kemble Cibber Colman comedian comedy commenced course Covent Garden Covent Garden Theatre Cussans dear delight Dimond drama Drury Lane Theatre Ellis ELLISTON ACTS engagement exclaimed eyes fact fame fancy favour favourite fortune Garrick gentleman Gore Hamlet happy Haymarket Theatre heard hero honour Iron Chest Kemble king lady Lady Hamilton late letter London look Lord Harcourt Macbeth Majesty manager Mathews ment Miss Flemming Miss Rundall morning never night notice observed occasion Octavian once party performance Philaster piece play poor present racter received rendered repeated replied respect Robert Elliston Robert William Robert William Elliston royal scarcely scene season Shepton Mallet Sheridan Sheva shew Sims spirit stage Stilton cheese success Tate Wilkinson theatrical tion took uncle Weymouth whilst whole wife Windsor words young
Popular passages
Page 150 - Swifter than the moon's sphere ; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see ; Those be rubies, fairy favours, In those freckles live their savours. I must go seek some dewdrops here, And...
Page 309 - Next Anger rush'd, his eyes on fire, In lightnings own'd his secret stings, In one rude clash he struck the lyre, And swept with hurried hand the strings.
Page 217 - This was the light into which Betterton threw this scene, which he opened with a pause of mute amazement ; then rising slowly to a solemn, trembling voice, he made the ghost equally terrible to the spectator as to himself...
Page xix - Aspect threw out such a Glow of Health and Chearfulness, that, on the Stage, few Spectators that were not past it could behold her without Desire. It was even a Fashion among the Gay and Young to have a Taste or Tendre for Mrs. Bracegirdle.
Page xx - Great Jonson did by strength of judgment please ; Yet, doubling Fletcher's force, he wants his ease. In differing talents both adorn'd their age ; One for the study, t'other for the stage.
Page 7 - Amphytrion" to the stage, I heard him give it his first reading to the actors, in which, though it is true he delivered the plain sense of every period, yet the whole was in so cold, so flat, and unaffecting a manner, that I am afraid of not being believed when I affirm it.
Page 5 - Twas only that when he was off he was acting. With no reason on earth to go out of his way, He turn'd and he varied full ten times a day...
Page 58 - Yes, clocks will go as they are set. But Man, Irregular Man's ne'er constant, never certain: I've spent at least three precious hours of darkness In waiting dull attendance; 'tis the curse Of diligent virtue to be mixed like mine, With giddy tempers, souls but half resolved.
Page 223 - Heaven knows I have too many ! Do not mock me: Though I am tame, and bred up with my wrongs, Which are my foster-brothers, I may leap, Like a hand-wolf, into my natural wildness, And do an outrage.
Page 6 - It has sometimes been objected to the theatrical artist, that he merely repeats the language and embodies the conceptions of the poet. But the allegation, though specious, is unfounded. It has been completely established, by a great and genial critic of our own time, that the deeper beauties of poetry cannot be shaped forth by the actor,* and it is equally true, that the poet has little share in the highest triumphs of the performer.