manner, a determination not to publish with my name any production, which was not entirely and exculsively my own composition.

With regard to the real talents of many of the poetical persons whose performances are mentioned or alluded to in the following pages, it is presumed by the author that there can be little difference of opinion in the public at large; though, like other sectaries, each has his separate tabernacle of proselytes, by whom his abilities are over-rated, his faults overlooked, and his metrical canons received without scruple and without consideration. But the unquestionable possession of considerable genius by several of the writers here censured, renders their mental prostitution more to be regretted. Imbecility may be pitied, or, at worst, laughed at and forgotten; perverted powers demand the most decided reprehension. No one can wish more than the author that some known and able writer had undertaken their exposure; but Mr. Gifford has devoted himself to Massinger, and, in the absence of the regular physician, a country practitioner may, in cases of absolute necessity, be allowed to prescribe his nostrum to prevent the extension of so deplorable an epidemic, provided there be no quackery in his treatment of the malady. A caustic is here offered; as it is to be feared nothing short of actual cautery can recover the numerous patients afflicted with the present prevalent and distressing rabies for rhyming.

As to the Edinburgh Reviewers, it would, indeed, require a Hercules to crush the Hydra; but if the author succeeds in merely "bruising one of the heads of the serpent," though his own hand should suffer in the encounter, he will be amply satisfied.

ENGLISH BARDS

AND

SCOTCH REVIEWERS.

STILL must I hear?-shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,+
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme-I'll publish, right or wrong:
Fools are my theme, let satire be my song.

Oh! nature's noblest gift-my gray goose-quill!
Slave of my thoughts, obedient to my will
Torn from thy parent bird to form a pen,
That mighty instrument of little men!

The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride;
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!

IMITATION :

"Semper ego auditor tantum? nunquamne reponam, Vexatus toties rauci Theseide Codri ?"-Juv. Sat. I. +Mr. Fitzgerald, facetiously termed by Cobbett the "Small Beer Poet," inflicts his annual tribute of verse on the Literary Fund: not content with writing, he spouts in person, after the company have imbibed a reasonable quantity of had port, to enable them to sustain the operation.

Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet belov'd by me:
Then let us soar to-day, no common theme,
No eastern vision, no distemper'd dream
Inspires our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
And men through life her willing slaves obey;
When Folly, frequent harbinger of crime,
Unfolds her motley store to suit the time;
When knaves and fools combined o'er all prevail,
When justice halts, and right begins to fail.
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
Still there are follies, e'en for me to chase,
And yield, at least, amusement in the race:
Laugh when I laugh, I seek no other fame;
The cry is up, and scribblers are my game.
Speed, Pegasus !-ye strains of great and small,
Ode, epic, elegy, have at you all!

I, too, can scrawl, and once upon a time

I pour'd along the town a flood of rhyme,
A schoolboy freak, unworthy praise or blame;
I printed-older children do the same.

* Cid Hamet Benengeli promises repose to his pen, in the last chapter of Don Quixote. Oh! that our voluminous gentry would follow the example of Cid Hamet Benengeli.

"Tis pleasant, sure, to see one's name in print;
A book's a book, although there's nothing in't.
Not that a title's sounding charm can save
Or scrawl or scribbler from an equal grave:
This Lambe must own, since his patrician name
Fail'd to preserve the spurious farce from shame.*
No matter, George continues still to write,+
Though now the name is veil'd from public sight.
Moved by the great example, I pursue

The self-same road, but make my own review :
Not seek great Jeffrey's, yet, like him, will be
Self-constituted judge of poesy.

A man must serve his time to ev'ry trade
Save censure-critics all are ready made.
Take hackney'd jokes from Miller, got by rote,
With just enough of learning to misquote;
A mind well skill'd to find or forge a fault;
A turn for punning, call it Attic salt;
To Jeffrey go, be silent and discreet,
His pay is just ten sterling pounds per sheet:
Fear not to lie, 'twill seem a lucky hit;

Shrink not from blasphemy, 'twill pass for wit;
Care not for feeling-pass your proper jest,
And stand a critic, hated yet caress'd.

And shall we own such judgment? no-as soon
Seek roses in December-ice in June;
Hope constancy in wind, or corn in chaff,
Believe a woman, or an epitaph,

Or any other thing that's false, before

You trust in critics, who themselves are sore;
Or yield one single thought to be misled

By Jeffrey's heart, or Lambe's Boeotian head. +

This ingenuous youth is mentioned more particularly, with his production, in another place. +In the Edinburgh Review.

Messrs. Jeffrey and Lambe are the alpha and omega, the first and last of the Edinburgh Review; the others are mentioned hereafter.

To these young tyrants, by themselves misplaced, Combined usurpers on the throne of taste; To these, when authors bend in humble awe, And hail their voice as truth, their word as lawWhile these are censors, 'twould be sin to spare; While such are critics, why should I forbear? But yet so near all modern worthies run, 'Tis doubtful whom to seek, or whom to shun; Nor know we when to spare, or where to strike, Our bards and censors are so much alike.

Then should you ask me,+ why I venture o'er
The path that Pope and Gifford trod before;
If not yet sicken'd, you can still proceed:
Go on; my rhyme will tell you as you read.

Time was, ere yet, in these degen'rate days
Ignoble themes obtain'd mistaken praise,
When sense and wit, with poesy aflied,
No fabled graces, flourish'd side by side,
From the same fount their inspiration drew,
And, rear'd by taste, bloom'd fairer as they grew;
Then, in this happy isle, a Pope's pure strain
Sought the rapt soul to charm, nor sought in vain;
A polish'd nation's praise aspir'd to claim,
And rais'd the people's, as the poet's fame.
Like him, great Dryden pour'd the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then Congreve's scenes could cheer, or Otway's melt,
For nature, then, an English audience felt-
But why these names, or greater still, retrace,
When all to feebler bards resign their place?

"Stulta est Clementia, cum tot ubique

occurras perituræ parcere charta."-Juv. Sat. I.
+ IMITATION :-

Cur tamen hoc libeat potius decurrere campo
Per quem magnus equos Auruncæ flexit alumnus:
Si vacat, et placidi rationem admittitis, edam."

Juv. Sat. 1.